While it would be nice to have new intellectual property coming from James Cameron, the “Avatar” films are like the “Lord Of The Rings” trilogy—keep ‘em comin’.
Does “The Lord of the Rings: The Two Towers,” suffer from sequelitis? No. It’s even better. More spectacular, emotionally rewarding, and more exciting.
Single motherhood was never intended to constitute a noble undertaking but to facilitate the destruction of humanity by setting the sexes against each other.
“The Housemaid,” needed to either belly-flop into outright camp or go dark and psychotic like “Gone Girl.” As is, it’s a decent but highly predictable thriller.
While it would be nice to have new intellectual property coming from James Cameron, the “Avatar” films are like the “Lord Of The Rings” trilogy—keep ‘em comin’.
Does “The Lord of the Rings: The Two Towers,” suffer from sequelitis? No. It’s even better. More spectacular, emotionally rewarding, and more exciting.
Single motherhood was never intended to constitute a noble undertaking but to facilitate the destruction of humanity by setting the sexes against each other.
“The Housemaid,” needed to either belly-flop into outright camp or go dark and psychotic like “Gone Girl.” As is, it’s a decent but highly predictable thriller.
While it would be nice to have new intellectual property coming from James Cameron, the “Avatar” films are like the “Lord Of The Rings” trilogy—keep ‘em comin’.
