Mark Jackson

Faith-based summer camp comedy tells of two bad boys learning to forsake “the things that are trying to replace God in our lives.”

Girl Scout cookie selling teaches leadership, builds confidence, and fosters community. For all intents and purposes, cookie season is a true rite of passage.

“Late Fame” is a quiet but meaningful film, portraying the slow, inexorable effects of entropy on artistic integrity, and the dissolution of meaningful culture.

This more character-focused ‘Spider-Man’ holds one’s attention far more effectively than the usual CGI falling-rubble MCU yawn-fest.

If Gail Ritchey’s baby was in fact not stillborn, that’s a level of denial that’s hard to imagine. Where is the tipping point when denial becomes murder?

Flaunting overt corniness to strains of Middle of the Road rock-radio, grindhouse-throwback ‘Motor City’ is basically an extremely violent, boring, music video.

Live-action “Moana” stays pedantically true to its animated origins: A young heir-to-the-throne, Moana, seeks to save her island from a dearth of fish.

The eye-opening concept from Nolan’s ‘The Odyssey’ is the idea that Odysseus was responsible for Greek civilization’s downfall. That’s a new angle.

Wilde, with a cast at her disposal that’s the acting equivalent of a Stradivarius, toggles the story between the comedic and dramatic modalities seamlessly.

Consisting mostly of rocket scientist conversations about astrophysics, ‘Signal One’ is nevertheless far more intriguing than anything in ‘Disclosure Day.’