Mark Jackson is the senior film critic for The Epoch Times and a Rotten Tomatoes-approved critic. Mark earned a bachelor's degree in philosophy from Williams College, followed by classical theater conservatory training, and has 20 years' experience as a New York professional actor. He narrated The Epoch Times audiobook "How the Specter of Communism Is Ruling Our World," available on iTunes, Audible, and YouTube. Mark is featured in the book "How to Be a Film Critic in Five Easy Lessons" by Christopher K. Brooks. In addition to films, he enjoys Harley-Davidsons, rock-climbing, qigong, martial arts, and human rights activism.
The gathering tear in Lecter’s eye after Clarice’s confession is the brilliant pinpoint of light that ultimately redeems the blackness of this dark fairy tale.
At two hours long, it’s a boring, turgid watch that scoffs at tradition and feels a lot longer than it is. Emily Brontë is definitely rolling in her grave.
A cut above the usual heist-thriller and featuring Mark Ruffalo’s Columbo-like performance, “Crime 101” makes you wish all neo-noirs were this captivating.
A few million extra dollars in the budget might have helped, but this low-rent approach raises the question—if you can’t say it well, should you say it at all?
‘Pretty in Pink’ was a hit movie that sprang from a hit song of the same name and immediately became part of America’s cultural lexicon. I needed to see why.
Could Bautista and Momoa outfight the Yakuza? Bautista is a 300 lb. WWE Champ, and Momoa will weigh 300 if he keeps drinking beer. Easy to suspend disbelief.
The film works best when it reminds us that college football is also about grateful scholarship kids and low-tier coaches who stick around for love of the game.
“Mercy” chooses high-octane spectacle over an interesting and consistent opinion on the ethics of an AI legal system and its far-reaching impact on humanity.
The gathering tear in Lecter’s eye after Clarice’s confession is the brilliant pinpoint of light that ultimately redeems the blackness of this dark fairy tale.
At two hours long, it’s a boring, turgid watch that scoffs at tradition and feels a lot longer than it is. Emily Brontë is definitely rolling in her grave.
A cut above the usual heist-thriller and featuring Mark Ruffalo’s Columbo-like performance, “Crime 101” makes you wish all neo-noirs were this captivating.
A few million extra dollars in the budget might have helped, but this low-rent approach raises the question—if you can’t say it well, should you say it at all?
‘Pretty in Pink’ was a hit movie that sprang from a hit song of the same name and immediately became part of America’s cultural lexicon. I needed to see why.
Could Bautista and Momoa outfight the Yakuza? Bautista is a 300 lb. WWE Champ, and Momoa will weigh 300 if he keeps drinking beer. Easy to suspend disbelief.
The film works best when it reminds us that college football is also about grateful scholarship kids and low-tier coaches who stick around for love of the game.
“Mercy” chooses high-octane spectacle over an interesting and consistent opinion on the ethics of an AI legal system and its far-reaching impact on humanity.