Mark Jackson is the chief film critic for The Epoch Times, and a Rotten Tomatoes-approved critic. He earned a bachelor's degree in philosophy from Williams College, followed by a classical theater conservatory training, and has 20 years' experience as a New York professional actor. He narrated The Epoch Times audiobook "How the Specter of Communism is Ruling Our World," available on iTunes, Audible, and YouTube. Mark is cited in the book "How to be a Film Critic in Five Easy Lessons" by Christopher K. Brooks. In addition to film, he enjoys Harley-Davidsons, martial arts, rock-climbing, qigong, and human rights activism.
Possibly all the American professions like tech, finance, sales, real estate, law, politics, and media—that tend to feature bro-culture—will enjoy ‘Bull Run.’
Sweeney has shifted her brand from pin-up-girl to serious actress with a series of unglamorous roles. With ‘Christy’ she turns in a career-best as a pro boxer.
Veteran assassin is forced to help a crime boss’s son become a man—a hitman—in a series of wacky, action-filled setups. Fun premise, bad execution—pun intended.
“Soul on Fire” provides a message we all need to hear more often. It shows how community, faith, hope, and love can be transformative forces in peoples lives.
One of America’s failures is not helping soldiers transition back to society. That’s not the real story of “Roofman,” but one appreciates the artistic license.
Possibly all the American professions like tech, finance, sales, real estate, law, politics, and media—that tend to feature bro-culture—will enjoy ‘Bull Run.’
Sweeney has shifted her brand from pin-up-girl to serious actress with a series of unglamorous roles. With ‘Christy’ she turns in a career-best as a pro boxer.
Veteran assassin is forced to help a crime boss’s son become a man—a hitman—in a series of wacky, action-filled setups. Fun premise, bad execution—pun intended.
“Soul on Fire” provides a message we all need to hear more often. It shows how community, faith, hope, and love can be transformative forces in peoples lives.
One of America’s failures is not helping soldiers transition back to society. That’s not the real story of “Roofman,” but one appreciates the artistic license.