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Jake Johnson leads a talented ensemble cast through a mostly by-the-numbers story.
The eye-opening concept from Nolan’s ‘The Odyssey’ is the idea that Odysseus was responsible for Greek civilization’s downfall. That’s a new angle.
Director Uwe Boll opens the door to discussions about the dangers of frontier justice.
One indie film flies the red, white, and blue in a show of great patriotism.
Subpar “Supergirl” serves to whet the appetite for when neonate superstar Milly Alcock gets the chance to work with a stronger director.
If Gail Ritchey’s baby was in fact not stillborn, that’s a level of denial that’s hard to imagine. Where is the tipping point when denial becomes murder?
Jake Johnson leads a talented ensemble cast through a mostly by-the-numbers story.
Live-action “Moana” stays pedantically true to its animated origins: A young heir-to-the-throne, Moana, seeks to save her island from a dearth of fish.
The eye-opening concept from Nolan’s ‘The Odyssey’ is the idea that Odysseus was responsible for Greek civilization’s downfall. That’s a new angle.
Wilde, with a cast at her disposal that’s the acting equivalent of a Stradivarius, toggles the story between the comedic and dramatic modalities seamlessly.
Director Uwe Boll opens the door to discussions about the dangers of frontier justice.
Consisting mostly of rocket scientist conversations about astrophysics, ‘Signal One’ is nevertheless far more intriguing than anything in ‘Disclosure Day.’
One indie film flies the red, white, and blue in a show of great patriotism.
The film’s overemphasis of the 18th-century’s dearth of hygiene feels like smoke and mirrors. It has little new to say about upward mobility.
While director Grashaw made a movie that feels deeply authentic in its bleak portrait of reservation life, there’s no hope to lighten the weight of it all.