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The eye-opening concept from Nolan’s ‘The Odyssey’ is the idea that Odysseus was responsible for Greek civilization’s downfall. That’s a new angle.
Director Uwe Boll opens the door to discussions about the dangers of frontier justice.
One indie film flies the red, white, and blue in a show of great patriotism.
Subpar “Supergirl” serves to whet the appetite for when neonate superstar Milly Alcock gets the chance to work with a stronger director.
This daring historic action piece takes big chances and mostly pays off in big ways.
The eye-opening concept from Nolan’s ‘The Odyssey’ is the idea that Odysseus was responsible for Greek civilization’s downfall. That’s a new angle.
Wilde, with a cast at her disposal that’s the acting equivalent of a Stradivarius, toggles the story between the comedic and dramatic modalities seamlessly.
Director Uwe Boll opens the door to discussions about the dangers of frontier justice.
Consisting mostly of rocket scientist conversations about astrophysics, ‘Signal One’ is nevertheless far more intriguing than anything in ‘Disclosure Day.’
One indie film flies the red, white, and blue in a show of great patriotism.
The film’s overemphasis of the 18th-century’s dearth of hygiene feels like smoke and mirrors. It has little new to say about upward mobility.
While director Grashaw made a movie that feels deeply authentic in its bleak portrait of reservation life, there’s no hope to lighten the weight of it all.
A crack ensemble cast riffs on the Elmore Leonard adaptation that hits the spot.
Subpar “Supergirl” serves to whet the appetite for when neonate superstar Milly Alcock gets the chance to work with a stronger director.
This daring historic action piece takes big chances and mostly pays off in big ways.