There is a deep human need for beauty, and if you ignore that need in architecture, your buildings will not last, since people will never feel at home in them. —Roger Scruton
Let’s begin with a visit to the Basilica of Saint Lawrence in downtown Asheville, North Carolina.When we enter this Spanish Renaissance church, designed by architect Rafael Guastavino, we know immediately that we are in a sacred place. Often, tourists who just moments before were laughing loudly and debating restaurants for lunch fall silent when they step from the bustling sidewalk into the basilica. Here in the quiet shadows, candles glimmer. From the walls, statues of saints look into eternity, while at the front of the church are the figures of Mary and Saint John mourning the Crucifixion. Covering the walls of the apse are polychrome, terra cotta portraits of the Four Evangelists and the angels Raphael and Michael. Above the sanctuary is the largest, freestanding, elliptical dome in North America. This space announces its purpose: worship and prayer.
Let’s leave the basilica and wander down the hill, cross the bridge over the expressway, and stroll along Flint Street. Here we find houses a century old or more: eccentric structures with wraparound porches, cupolas, gazebos, and broad lawns shadowed by tall oaks and maples. Those who designed these homes clearly wished to enhance the lives of the families occupying them.
Now we’ll reverse course and head to the downtown area. In 1929, Asheville was a boomtown, mecca to the rich and famous, and a gathering place for builders, craftsmen, and architects. The Great Depression ended the boom. The city spent the next 50 years paying off its debts and lacked the ability to help finance skyscrapers or other modern structures. As a result, nearly 200 art deco buildings escaped the wrecking ball.
Here we find such treasures as the Flatiron Building, a knockoff of its New York sister; the S&W Cafeteria with its lavish mix of blue, gold, and silver ornamentation; and the Grove Arcade with its gargoyles and carved lions, its ground floor of shops and restaurants topped by apartments and condominiums replete with hanging flowers and iron grillwork. The driving architectural forces behind these and other nearby buildings were beauty and utility.
A short distance away, we find the Biltmore House, America’s largest privately owned home, with its many valuable paintings, sculptures, and tapestries. Close at hand is the Grove Park Inn, built in the early part of the 20th century in less than a year by 400 men working 10-hour shifts six days a week. As William Jennings Bryan said in his dedication speech at the Inn, no doubt taking in the massive rock walls, “It was built for the ages.” Yes, and for beauty’s sake.
The Modern Blight
So what happened? Why do so many of our buildings, from high-rise apartments to fast food restaurants, from megachurches to schools, fail to elicit our esteem? Why, in short, are so many of our buildings so ugly?Perhaps our propensity for glass and plastic stems from the misapplication of Louis Sullivan’s “Form follows function.” Perhaps the philosophies of utilitarianism and relativity account for the absence of beauty and charm in so many of our buildings.
And yet…
There is reason for hope.
This year the college has begun building a chapel in the shape of a cross, with a seating capacity of 750 and a Gothic tower 130 feet high. Like Roger Scruton and others, those erecting this chapel recognize the importance of a building’s beauty. They understand that if they are to teach beauty, they must offer examples of that beauty to their students.
It is dismaying to believers in tradition and the saving powers of truth, beauty, and goodness to be confronted daily by a culture imbued with the crass and the vulgar—not only in architecture but also in all the arts and in the public square. At times, that culture seems vacant of any possibility of redemption; it’s like a vast, empty parking lot with a few scraps of paper blowing across the asphalt.
If we look closely, however, we may observe cracks in that bleak pavement.
Pushing up through those cracks are the flowers of beauty.