The Pantheon: A Stage Between Heaven and Earth

The Pantheon: A Stage Between Heaven and Earth
From the Piazza della Rotonda, the temple presents a standard temple front with a triangular pediment (structure above the lintel, or roof) sitting above a row of eight columns forming the front of the portico. The massive concrete dome rises up behind the portico, supported by thick brick and concrete walls shaped as a drum to support the dome. picturepixx/Shutterstock
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The Pantheon has held an empowering effect on the individual and humanity for nearly 2,000 years and stands as one of the most significant classical buildings in history. It was built by Emperor Hadrian in the second century and is located in the Piazza della Rotonda, a city square in the center of Rome.

The size of the interior space is awe-inspiring. Columns line the room with blind doorways and niches. A second story of blind windows seemingly connects to spaces beyond, giving a sense of being surrounded by buildings in a town piazza, rather than an interior space.

The enormous dome rises upward, creating an expansive space. A 27-foot wide opening, or oculus, in the ceiling allows rain and sunlight to fall through and land on the marble floor, reinforcing a connection to the outside and the atmosphere above.

As the earth revolves around the sun, the sun projects a shaft of light through the oculus, casting a circular shape that moves through the interior, acting as a kind of theatrical spotlight, which heightens our self-awareness that we are here on stage in the human world.

The immense space arouses a sense of connection and completeness. It was created as a temple of the gods and is open and welcoming to people of all faiths to be in the presence of the divine.

The columns are composed of large marble bases and Corinthian capitals (the tops of columns), while the shafts are granite imported from Egypt by Emperor Hadrian. (<a href="https://www.shutterstock.com/g/zetter">Taras Vychyna</a>/<a href="https://www.shutterstock.com/image-photo/italy-rome-pantheon-ancient-historic-landmark-154192568">Shutterstock</a>)
The columns are composed of large marble bases and Corinthian capitals (the tops of columns), while the shafts are granite imported from Egypt by Emperor Hadrian. Taras Vychyna/Shutterstock
The massive, granite, trunk-like columns support a canopy that offers shelter from rain or summer heat and creates a place for the public to meet, gather, or rest. (J.H. Smith/Cartiophotos)
The massive, granite, trunk-like columns support a canopy that offers shelter from rain or summer heat and creates a place for the public to meet, gather, or rest. J.H. Smith/Cartiophotos
The dome rises up at the rear of the main entrance. (Sean Pavone/Shutterstock)
The dome rises up at the rear of the main entrance. Sean Pavone/Shutterstock
The inscription on the temple’s front references Roman general and statesman Marcus Agrippa, who had commissioned an earlier temple that burned down on this site. (J.H. Smith/Cartiophotos)
The inscription on the temple’s front references Roman general and statesman Marcus Agrippa, who had commissioned an earlier temple that burned down on this site. J.H. Smith/Cartiophotos
After passing through the columns, two massive bronze doors (left) lead through to the interior. (J.H. Smith/Cartiophotos)
After passing through the columns, two massive bronze doors (left) lead through to the interior. J.H. Smith/Cartiophotos
The interior walls display a range of colored marble drawn from all over the ancient Roman empire, showing the reach of Emperor Hadrian.(<span class="mw-mmv-author"><a class="new" title="User:Macrons (page does not exist)" href="https://commons.wikimedia.org/w/index.php?title=User:Macrons&action=edit&redlink=1">Macrons</a></span> /<a class="mw-mmv-license" href="https://creativecommons.org/licenses/by-sa/4.0" target="_blank" rel="noopener">CC BY-SA 4.0</a>)
The interior walls display a range of colored marble drawn from all over the ancient Roman empire, showing the reach of Emperor Hadrian.(Macrons /CC BY-SA 4.0)
The ceiling's oculus acts as a spotlight that can heighten one's self-awareness. (Martijn Smeets/ Shutterstock)
The ceiling's oculus acts as a spotlight that can heighten one's self-awareness. Martijn Smeets/ Shutterstock
A perfect 142-foot sphere informs the geometry of the interior space, measuring both the diameter and the height. The circle is associated with spiritual perfection, or the divine, and is repeated throughout the interior. (J.H. Smith/Cartiophotos)
A perfect 142-foot sphere informs the geometry of the interior space, measuring both the diameter and the height. The circle is associated with spiritual perfection, or the divine, and is repeated throughout the interior. J.H. Smith/Cartiophotos
James Howard Smith
James Howard Smith
Author
James Howard Smith, an architectural photographer, designer, and founder of Cartio, aims to inspire an appreciation of classic architecture.
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