There’s nothing quite like the Brighton royal pavilion in the British Isles. Situated at the heart of the seaside city of Brighton, south of London, stands what looks like an Indian palace. It’s the exotic vision of George IV, and its Regency-style architecture is extraordinary.
In the mid-1780s, as prince regent, George rented a lodging house in Brighton. Architect Henry Holland converted the building into a “marine pavilion,” and in 1815, architect John Nash started to transform it into an Asian palace. The prince regent lavishly decorated his seaside residence with imported Chinese wallpapers, furniture, and objects. In 1850, Queen Victoria sold the palace to the city.
The pavilion represents the 18th-century European fascination with Asia. It was inspired by Indian Mughal architecture, common in 16th- and 17th-century northern and central India. The style is also an example of Islamic architecture, with minarets (slender towers), pointed arches, and onion domes designed with a focus on balance and coherence. The interior is in the chinoiserie style, a Western style inspired by Chinese design, characterized by gilding, lacquering, and asymmetry, that featured heavily in the Regency style invented under George IV.
Decorator Frederick Crace and painter Robert Jones designed the palace’s interiors. Highlights include Queen Victoria’s bedroom with imported Chinese wallpaper, the music room with exotic imagery and gilding, and the saloon (a grand meeting room) with motifs such as dragons and lotus leaves.
The palace is a manifestation of 19th-century eclecticism in Regency architecture, and the interior is an example of exoticism in this style. It was recently restored according to drawings and archives.
Ariane Triebswetter
Author
Ariane Triebswetter is an international freelance journalist, with a background in modern literature and classical music.