PG-13 | 2h 12m | Comedy, Romance | July 12, 2024
“Fly Me to the Moon” creates a fun, 1960s nostalgia for the events surrounding the 1969 American moon landing: Floridian orange glow-y sunsets, Scarlet Johannsen looking pretty in orange, NASA astronauts drinking orange Tang and hawking Omega Speedmaster chronograph watches, because those items will soon be going to the moon and outer space, kiddies!
And there’s Channing Tatum wearing a Jetsons-type yellow turtleneck, and driving a cobalt blue Camaro! Cocoa Beach! Rocket-ships! Crew-cuts! Horn-rimmed glasses, pocket protectors! Low-rent diners with neon signs.
It’s exactly the landscape Tom Wolfe described in his bestseller “The Right Stuff,” about how Navy, Air Force, and Marine fighter pilots became the first astronauts of the NASA space program.
Madison Avenue Marketing
Kelly Jones (Johansson) is a New York marketing whiz, recruited by one Moe Berkus (Harrelson) around the time of the Apollo 11 moonshot. Her job will be to help rewarm NASA’s moon-mission leftovers and spice them up for the American public’s flagging appetite. Ditto for members of Congress who aren’t feeling the largesse they felt previously, regarding the coffer-size of NASA-earmarked funding.When Cole Met Kelly
It’s this marketing campaign that sets the stage for cute Kelly to meet tunnel-vision Cole Davis (Tatum). Cole is a former pilot turned NASA launch director, and the polar opposite of Kelly’s smooth-talking flimflam talent. He’s a straight shooter and very serious about his job responsibilities.Seeing Kelly for the first time in a diner, he approaches her table:
“Miss, you’re on fire.” “Very original, no, I do not want to stop, drop, and roll with you.” “No, your book is on fire” (she was holding it over a candle flame).
Cole is immediately smitten, but when he finds out what she’s up to—hiring actors to play himself and his not-ready-for-primetime colleagues (along with a cliché-ridden flamboyant film director), and giving faux interviews all in the name of marketing—he’s immediately disgusted. But, of course, this is a romcom, so his disgust won’t last long.
A Fair Amount of Silliness
We’ve all heard the conspiracy theories—the moon landing was faked. But “Fly Me to the Moon” pulls a clever double-reverse, as in, yes, the moon landing was, in fact, faked, but not how you think.The whole affair is light and breezy; Mr. Tatum is the king of light comedy, and Ms. Johansson turns her charm factor up to 11, sashaying about in all that late-'60s fashion, to the point where, as Cole mentioned—she’s on fire. These two, while not exactly electrifying, have a fun romantic chemistry.
The last half of the film is where Moe’s contingency moon-landing presentation—Project Artemis—takes center (sound) stage. At this point, “Fly Me To The Moon” becomes a bit of a bank heist movie, as Cole and Kelly surreptitiously attempt to reroute Moe’s plan. Quite a bit of fun is had due to the presence of an unattended black cat running around, and Cole’s intense phobia and superstitions regarding harbingers of bad luck.
“Fly Me to the Moon” is sort of summer blockbuster-lite, but it is mid-July, and it doesn’t have much competition, so if it’s popcorn fun you’re looking for, you can’t really go wrong with this one.