R | 1h 29m | Action, Crime | Nov. 22, 2024
“Armor” is the kind of low-budget endeavor that makes you appreciate professional actors who demonstrate what professional means. They know the movie’s bad, but despite the stifling ennui that must descend upon them, they give it their best shot, regardless. Integrity is what you want to see from an A-lister.
Story!
James (Jason Patric) is an ex-cop, a widower, and recovering alcoholic who chairs AA meetings, spouts the lingo (“Keep coming back!”) but also has a fake O.J. container in his fridge with form-fitted polystyrene that hides a vodka bottle.The Good Stuff!
Stopping at a credit union, father and son are given an extra case to transport. It’s not on their clipboard, and James declines. He’s then bullied with threats of reporting his penchant for lateness, to accept the delivery.
James reluctantly agrees. Heading out to a remote area, there’s suddenly a car chase, and the armored truck is trapped on a deserted bridge with extremely heavily-armed men in black vans boxing them in, front and back.
Patric: “What do I call you?” Stallone: What, are we playing chess now? You can call me Rook.” Patric: “How about Pawn?”
Rook is the leader of the gang, but we learn nothing about him other than that he covets something in the truck. The rest of the film is the standoff between James and son, and Rook and his boys. The truck gets flipped on its side; Casey gets shot; there’s much battlefield acting, with improvised tourniquets and much wincing. A la Jodi Foster in “Panic Room,” James and Casey lock themselves in the truck, while Rook et al lob teargas canisters and such.And that’s basically the entire enchilada. A flashback reveals more backstory about James and Casey; the bad guys argue amongst themselves; there’s a final shootout.
The Bad Stuff! (It’s All Bad Stuff)
Stallone isn’t given much of a character to play, and so basically is just phoning in his performance. His character is mostly onboard to look tough and talk to James and Casey, who remain inside the truck.Stallone glumly delivers the weak dialogue, which leaves you wondering why the movie was made in the first place. Stallone was reportedly paid $10 million for a single day of work—standing around, saying boring lines, and pointing fake guns.
It ain’t ditch-digging. As the saying goes, “Nice work if you can get it.” For $10 million one would expect some more bang for the buck, but maybe he knew there was no rescuing this clunker.