“Thunderheart” (1992) has something in common with today’s spiritual movements, which claim that soon everyone’s third eye will rapidly evolve and suddenly humans will have visions of angels sitting in the clouds. If that is indeed the case, it is going to present a major problem for atheists and nonbelievers. They'll be stunned, dazed, and confused.
In “Thunderheart,” Ray Levoi (Val Kilmer), who is a young FBI agent, is brought in from Washington, D.C., to investigate the murder of an Oglala Sioux tribesman on the South Dakota Badlands-situated Bear Creek reservation.
Conspiracies Abound
Ray Levoi has been assigned a homicide case connected to the revolutionary uprising of the radical ”traditionalist” group ARM (Aboriginal Rights Movement), who are in a minor civil war with the thuggish Guardians Of the Oglala Nation (GOON) leaders, who are allied with Washington.Why did Levoi get assigned? Cynical FBI reasoning that his one-quarter Sioux blood will curry favor with the locals.
The locals that Levoi gets to know are 1) the traditionalist Walter Crow Horse (Graham Greene), a constantly wisecracking, hilariously bird-flipping-while-riding-by-on-his-motorcycle Oglala sheriff, 2) Maggie Eagle Bear (Sheila Tousey), a pretty, Dartmouth-educated, radical school teacher intent on reporting the uranium-drilling source of the community ground water being poisoned,
and 3) Grandpa Sam Reaches (Chief Ted Thin Elk), a folklore-filled tribal elder with a face like an ancient red-rock cliff, who likes to pretend he doesn’t speak English. These three characters alone make “Thunderheart” worth watching.
Other key figures are Levoi’s boss Frank Coutelle (Sam Shepard), a tough, seasoned, highly cynical Fed who does not suffer fools gladly,
and the antidisestablishmentarian Jack Milton (Fred Ward), a perennially shotgun-toting Sioux lawman in cahoots with the Feds, who maintains political power by meting out vigilante justice via his local GOON squad.
Blood Will Out
As mentioned, Val Kilmer’s Levoi has Oglala blood in his veins but no knowledge of his heritage and history. He’s immediately derided with the nickname “Washington Redskin” by the tribesmen. But he’s also teasingly taken under the wing of the sheriff (and master-tracker) Crow Horse, who stirs Levoi’s roots-curiosity via a trail of breadcrumbs involving startlingly brilliant character insights and enticing sprinklings of folk wisdom.Levoi’s tribal education and self-enlightenment also entail visits to Grandpa Reaches’s peeling-paint, relic-strewn trailer, whose insights are downright spooky and paradigm shifting for Levoi.
Hidden in Plain Sight
As a reservation-politics murder mystery, “Thunderheart” ultimately becomes too complex to comprehend, with no satisfying resolution to the ever-widening conspiracies Levoi unearths. Probably because Native American reservation problems, in general, don’t present easy solutions.“Thunderheart” is at its best when accompanied by cliché but nevertheless effective eagle screams, overblown native flutes, peace pipes, rattles, and drums. It ties together in ways that whisper of a deep, organic logic, both the humanly visible as well as the existence of unseen, other-dimensional realities that were commonplace in early American tribal life.
Director Michael Apted builds worlds, cutting between the slum squalor of rez life and then back out to the stark beauty of the wild Badlands-moonscape desert, strewn with the occasional defunct 1940s vehicle. Grandpa’s cozy, oversized rabbit hutch of a trailer reveals a “third world” hiding in plain sight in the American heartland, as well as the ancient wisdoms America has lost.
But, ignoring momentarily the radicalism, it’s clear that before the nascent end times for these Native Americans, Levoi has reckoned with and come to acknowledge spiritual reality.
