“Stutz” ticks a few boxes: It’s a loving homage, an on-screen therapy session, and a presentation to the world of Dr. Stutz’s life’s work, in hopes that putting his doctor’s distinct therapy tools on display might help others as they clearly helped Hill himself navigate life.
Stutz
The film explores Stutz’s life and walks the viewer through his signature visualization exercises: The Tools. Hill films Stutz in an unorthodox session that flips their classic doctor-patient setup, and the two of them bring The Tools to life in a vulnerable, funny, and ultimately therapeutic experience.Filmed in black and white, Hill’s film is too rooted in the present to be considered a true bio-doc, but it reveals Dr. Stutz’s past via archival material: photos of him playing basketball in a 1970s Jew-fro hairdo and minimized Frank Zappa ’stache, with illustrating stories about the psychiatrist’s childhood, family, romantic encounters, and Parkinson’s disease.
Throughout the film, we’re aware of how the degenerative disorder impacts Stutz physically but never mentally. That functions to remind us that part of Hill’s impetus to shoot this film was because of the limited amount of time left in which Stutz could explain his therapy style.
Raised by atheist parents, Stutz explains how his father’s lack of faith was replaced by a deep need to see his son succeed as a doctor. Each story that Hill elicits from Stutz leads to an explanation of the various tools one can avail oneself of, in order to better deal with similar situations.
We see him draw various diagrams in shaky Parkinson’s calligraphy, on notecards, to explain concepts like “Part X” (the resistance that manifests wherever we try to make positive changes in our lives), and “The Shadow” (the embodiment of all our negative qualities, known in other systems as “the doppelganger”). Others follow, such as “Life Force,” “The Snapshot,” and “The Grateful Flow.”
The Artifice
Approximately 25 minutes in, Hill lets us see behind the film’s artifice. We’re shown that we’ve been watching a movie-set facsimile of Stutz’s office that utilizes a green screen background in order to depict a chronologically edited shoot that’s not actually one session but a process that’s taken place over many months. Even Hill’s blond-frosted, avid-surfer-dude longish hair is a wig hiding a much shorter hairstyle that he wanted to nix for consistency.Upshot
Throughout the film, Phil Stutz—who’s got the quiet, magnetic screen presence of someone capable of deep inner silence, along with a laidback confidence—is a humble and willing participant. He consistently shares that life is challenging, and that despite utilizing the Stutz psychiatric tools, you’ll still encounter pain, uncertainty, and the need to work at the issues for the rest of your life. The tools are not solutions but rather methods for getting through obstacles and around setbacks.
That said, there are quite a few sections in “Stutz” that you can easily rewind to, after your initial viewing, in order to use the tools as a self-help movie. And while “Stutz” is, of course, not a replacement for actual therapy, it is a great introduction to seeing what kinds of things a world-class therapist can bring to the table.
“I commend Jonah Hill so much for making a film about the great (and so human) Dr. Phil Stutz. … At the urging of a good friend of mine I saw Phil, and only a handful of times, and without trying to, I still think about the intimate volley we had during those “sessions.” I still to this day use those tools. … See this film if only to experience what it looks like when people actually care, as opposed to posturing through this life to make a few bucks off some else’s confusions.”
“Stutz” began streaming on Netflix on Nov. 14, 2022.