Film Review: ‘A Dog’s Way Home’: Toad’s Wild Ride

Mark Jackson
Updated:

Here’s a movie for very small children about a nice dog that, when moved 400 miles away from its person in Denver, makes a two-year journey through the Rocky Mountains, escaping coyotes, befriending cougars, and battling starvation to reunite with its person.

Is it a good movie? Yes, for very small children who can’t tell good CGI from horrendous CGI, or ascertain that the bad dogcatcher is waaay too zealous about his job, or that dogs are intelligent and loyal but probably don’t sound like Bryce Dallas Howard trying really, really hard to read a script that sounds like it was written by a second grader.

Bella (the voice of Bryce Dallas Howard) as a pit-bull pup in "A Dog's Way Home." (Columbia Picture Corporation)
Bella (the voice of Bryce Dallas Howard) as a pit-bull pup in "A Dog's Way Home." Columbia Picture Corporation
There’s a glut on the movie market lately of animal-based movies, especially dog movies. It was therefore time to resurrect the animal road-trip movie, which makes this an “Incredible Journey” (1963) and a “Homeward Bound” (1993) retelling. Especially since this movie is now already the second in a franchise. And especially, especially since last year’s forerunner “A Dog’s Purpose” was a big box office hit.

‘Toad’

“Toad” is the name of the character that director Charles Martin Smith played in the smash hit “American Graffiti” (1973), and my theory is that becoming famous as Toad is how he got his start directing animal movies. Or maybe it was his playing beloved animal-story author Farley Mowat in “Never Cry Wolf” (1983). Anyway, Smith’s directed “Air Bud” (1997), “Dolphin Tale” (2011), and “Dolphin Tale 2” (2014).

I could write a whole review about the character of Toad. Who can forget him pulling into iconic Mel’s Diner on a Vespa, in a pink shirt and white bucks, screeching to a stop, then accidentally hitting the gas and brake simultaneously, skitter-crashing into a garbage can, with one white-shoe'd foot hysterically hopping around trying to brake—and then him trying to play it off as cool?

Anyway, that’s all by way of wanting to express my wish that director Smith could have brought an iota of the hilarity of Toad to this dog movie.

The Way Home

Bella, the female pit bull, is a rescue pup. Her med-student/rescuer is Lucas (Jonah Hauer-King), a very treacly nice young man. He wants the puppy for the purpose of making his mom, Terri (Ashley Judd), feel better. She’s a U.S. Army vet with PTSD, although we don’t see any PTSD because that might traumatize the audience.
But there’s nasty neighbor Gunter (Brian Markinson), who wants to pay Lucas back for meddling in his housing development plans (Gunther’s dilapidated houses have tons of feral cats under them, and he doesn’t care about their welfare), and so Gunther takes advantage of the fact that pitties are illegal in Denver and tattles to the dog pound. As Lucas’s girlfriend describes the situation of outlawing pit bulls in Denver, “It’s basically racism for dogs.” Er, breed-ism?
And so Bella goes to New Mexico to stay with family friends. But Lucas taught her the fun game of “Go home!” which means she drops everything and goes to find her person. Then, in New Mexico, Bella—talking to herself using the über-treacly voice of Bryce Dallas Howard—jumps the fences and head for the hills, er, Rockies.

A Dog’s Real Purpose

Bella’s adventures include a dog pack, being briefly owned by a couple, and also by a homeless vet (Edward James Olmos). There are many, many military vets in this movie. Maybe because military personnel usually have lives that are one long, journey home.

“A Dog’s Purpose” had the spiritual angle of reincarnation, which was supposed to bolster the idea that a dog’s primary purpose is to take care of the various persons it encounters during its various incarnations, with the meta-purpose being to get back to its original person.

Lucas (Jonah Hauer-King) and his dog Bella (voiced by Bryce Dallas Howard) in "A Dog's Way Home." (Columbia Picture Corporation)
Lucas (Jonah Hauer-King) and his dog Bella (voiced by Bryce Dallas Howard) in "A Dog's Way Home." Columbia Picture Corporation

In “A Dog’s Way Home,” you get the same purposing of dogs, but without the reincarnation: It’s just one giant slog of doggo-forbearance to get back to person No. 1. But if that’s a dog’s purpose, and a wolf is a sort of dog, what’s a wolf’s purpose? Well! A wolf is a canine but not a dog. A wolf’s purpose has, like, a lot more howling and pack activity. Whatever. I’m waiting for the movies about the meta-purpose of dogs, wolves, and really, animals in general, with lots of reincarnation thrown in the mix.

See, some people got depressed watching multiple dogs die in “A Dog’s Purpose.” Not me. I found it exhilarating. Because the dog bounced right back into a new life! Is that not much more positive and hope-giving? Someone needs to make the “The Purpose of Animals” movie soon, because today’s vegans need hope.

Today’s activist-vegans are massively depressed because their view is fundamentally atheist. The thinking goes, “If there was a compassionate God, he would not let animals suffer such cruelty.” Somebody needs to do the sixfold Buddhist-path version of these dog movies that introduces the concept of reincarnation into dog existence. It would then continue on from there to illustrate the fluidity of souls between human, animal, plant, and mineral incarnations—due to the amounts of karma accumulated. That’s the next step in this purpose-of-all-earthly-existence lesson: karma.

Someone please make a movie that shows the reason Native Americans call out in the sweat lodge to the Great Spirit: to the rocks, plants, humans, animals, fish & fowl brethren, and creepy-crawlies—“Aho, all my relations!”
Film Review: ‘A Dog’s Way Home’  Director: Charles Martin Smith Starring: Kimi Alexander, Farrah Aviva, Chris Bauer, Ashley Judd, Bryce Dallas Howard, Jonah Hauer-King, Alexandra Shipp, Edward James Olmos Rated: PG Running time: 1 hour, 36 minutes Release Date: Jan. 11 Rated 2.5 stars out of 5
Mark Jackson
Mark Jackson
Film Critic
Mark Jackson is the chief film critic for The Epoch Times. In addition to the world’s number-one storytelling vehicle—film, he enjoys martial arts, weightlifting, motorcycles, vision questing, rock-climbing, qigong, oil painting, and human rights activism. Jackson earned a bachelor's degree in philosophy from Williams College, followed by a classical theater training, and has 20 years’ experience as a New York professional actor, working in theater, commercials, and television daytime dramas. He narrated The Epoch Times audiobook “How the Specter of Communism is Ruling Our World,” which is available on iTunes and Audible. Jackson is a Rotten Tomatoes-approved film critic.
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