‘Carry-On’: It’s Beginning to Look a Lot Like ‘Die Hard’

On Christmas Eve, in Los Angeles, an unlikely hero needs to thwart a terrorist attack.
‘Carry-On’: It’s Beginning to Look a Lot Like ‘Die Hard’
Ethan Kopek (Taron Egerton) tries to stop a terrorist attack, in "Carry-On." Netflix
Michael Clark
Updated:
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PG-13 | 1h 59m | Drama, Action, Thriller | 2024

Among both audiences and critics, one of the longest-running unofficial movie debates is whether or not “Die Hard” is a Christmas movie. For years I was decidedly in the “not” camp until I interviewed cast member Robert Davi, who said it is absolutely a Christmas movie.

There’s likely to be a new and similar debate surrounding “Carry-On,” the new Netflix movie starting this week. It is set almost entirely at LAX airport on Christmas Eve. The movie contains about as many Christmas references as “Die Hard,” which is to say very few.

As with “Die Hard,” “Carry-On” stars a guy (Taron Egerton as Ethan) who, by accident, becomes engaged in a battle of wits with a terrorist (a truly loathsome Jason Bateman as the “Mysterious Traveler”) in Los Angeles in late December.

The "Mysterious Watcher" (Theo Rossi), in "Carry-On." (Netflix)
The "Mysterious Watcher" (Theo Rossi), in "Carry-On." Netflix
I liked “Die Hard” quite a bit but didn’t care much for any of its umpteen sequels. I’ll go out on a limb here by declaring that “Carry-On” is the finest “Die Hard”-ish movie since “Die Hard.” It’s also the best effort ever from Spanish director Jaume Collet-Serra, which really isn’t a high bar to clear. His previous career pinnacle was the just pretty good survival thriller “The Shallows” (2016).

Treading Professional Water

Ethan is treading water. He wanted to be a police officer but failed the test and now works as a TSA agent at LAX, but his heart isn’t in it. His pregnant live-in girlfriend Nora (Sofia Carson) also works at LAX as a mid-level executive for an airline. One of the perks is that they get to share lunch on a regular basis.
Nora Parisi (Sofia Carson) and Ethan Kopek (Taron Egerton), in "Carry-On." (Netflix)
Nora Parisi (Sofia Carson) and Ethan Kopek (Taron Egerton), in "Carry-On." Netflix

Realizing raising a child will require more money and commitment, Ethan presses his boss Phil (Dean Morris) for a raise and a promotion, but Phil says no. Only after Ethan’s best bud and co-worker Jason (Sinqua Walls) turns over his preferred shift does Ethan get a chance to impress Phil.

This seemingly minor work reassignment change initially seems trivial. However, it throws a wrench into the Traveler’s strategy. The original game plan was to blackmail Jason into allowing a seriously deadly package through a TSA baggage checkpoint by threatening to kill Jason’s family if he didn’t play ball. This is only a minor blip for the Traveler, who now presents the same threat to Ethan via a Bluetooth earpiece.

Enter ‘The Mysterious Watcher’

The Traveler is assisted in his mission by the “Mysterious Watcher” (Theo Rossi). He’s a dude in a hijacked van in possession of a hostage, and, with multiple cameras in the airport, he watches Ethan’s every move. It is because of Ethan’s astute observation skills as a would-be cop that he is able to physically ID the Traveler and try to put an end to the threat. But it doesn’t quite work out that way.

This is the point where T.J. Fixman’s labyrinthine screenplay kicks into overdrive, delivering one huge plot twist after another. Every plot twist is plausible, even by frequently exaggerated action-adventure standards. It also marks the arrival of L.A. detective Elena Cole (Danielle Deadwyler). Cole pieces together a connection between the Traveler and recent murders of two Russians who appear in the opening scene.

L.A. detective Elena Cole (Danielle Deadwyler), in "Carry-On." (Netflix)
L.A. detective Elena Cole (Danielle Deadwyler), in "Carry-On." Netflix
In order to be fair to any possible interested viewers (and that should be everybody reading this review), going into detail of the overflowing basket of twists is a hard no-go. What can be revealed is how well Ethan thinks on his feet as he tries to outfox the Traveler while keeping Nora safe. Not all of these attempts work, but it eventually becomes clear to the Traveler that taking out Nora and/or Ethan will put the kibosh on his plans.

The Next Bond?

After his impressive turns as a secret-agent-in-training in the first two installments of the comedic action thriller “Kingsmen” franchise, there was widespread rumors that the Welsh-born Egerton was in the running to become the next James Bond, a decision that has still yet to be made.

Egerton has the range, the good looks, and enough attitude to play Bond; he’s also played some past real-life characters, such as the nebbish title character in “Eddie the Eagle” and Elton John in “Rocketman.”

In “Carry-On,” Egerton all but channels Bruce Willis in “Die Hard” (minus the smarmy smirking). If the Bond gig doesn’t pan out, he could pull a Tom Cruise, and star in multiple future action franchises.

“Carry-On” doesn’t really do anything original, but it does all of it very well, with one notable exception. At the start of the third act, the Elena character is involved in one of the most impressive gunfight/fistfight/speeding car scenes I’ve ever witnessed. Even while screening the movie on an 18-inch computer monitor, it made me dizzy, but in a good way.

It shouldn’t surprise anyone that the movie ends in a manner which suggests a possible sequel. As much as my heart would like see that, my head says: “Please, don’t.”

The film begins streaming Dec. 13 on Netflix.
‘Carry-On’ Director: Jaume Collet-Serra Stars: Taron Egerton, Jason Bateman, Sofia Carson, Danielle Deadwyler, Dean Norris Running Time: 1 hour, 59 minutes MPAA Rating: PG-13 Release Date: Dec. 13, 2024 Rating: 4 1/2 stars out of 5
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Michael Clark
Michael Clark
Author
Originally from the nation's capital, Michael Clark has provided film content to over 30 print and online media outlets. He co-founded the Atlanta Film Critics Circle in 2017 and is a weekly contributor to the Shannon Burke Show on FloridaManRadio.com. Since 1995, Clark has written over 5,000 movie reviews and film-related articles. He favors dark comedy, thrillers, and documentaries.