Theater Review: ‘I Love You, You’re Perfect, Now Change’: Nostalgic Musical of Couples in Love

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GLENVIEW, IL—Although times were different when “I Love You, You’re Perfect, Now Change” first opened in 1996 Off-Broadway, and the dating game it depicted has since changed, romance is still very much the same. As the musical, now playing at the Oil Lamp Theater in Glenview, Illinois, demonstrates, love is timeless, still very funny, and oftentimes very poignant.

Of course, over the years a few changes have been made to the musical revue, such as the modern use of cell phones, texting, the Internet, and the style of clothing, but, no matter the time, human nature remains the same.  Men and women are still motivated by love.

The revival of “I Love You, You’re Perfect, Now Change,” the first musical presented by Oil Lamp Theater, is as funny as its title suggests.  The show doesn’t have a continuous plot but rather a series of vignettes that revolve around couples meeting, falling in love, getting married, and advancing to their senior years.

Directed by Jay Pastucha, with book and lyrics by Joe DiPietro and music by Jimmy Roberts, the show tracks romance through the lives of many couples. From the anxiety of blind dates, to marriage, to parenting, and to the golden years (which can sometimes be less than golden), the show moves with fast-paced wit and charming humor.

A few of the scenes may seem a bit old fashioned, such as women complaining about the lack of single men, or the difficulties of taking vacations with energetic youngsters but, even when appearing dated, the scenes are still nostalgically laughable.

Four characters, Man #1, Man #2, Woman #1 and Woman #2 play couples at various stages in life who are in love. (Oil Lamp Theater)
Four characters, Man #1, Man #2, Woman #1 and Woman #2 play couples at various stages in life who are in love. Oil Lamp Theater
Some of the highlights in the show include a macho guy who thinks he’s only interested in action films and is shocked to discover that he really likes his girlfriend’s chick-flick movies; a father who can’t seem to find a moment to be with his wife, and is eagerly anticipating a night alone with her; a man who has been married to his wife for 30 years and, as she falls asleep, he sings that even though they have had conflicts and arguments, he is still madly in love with her and grateful for every day of their marriage; and two senior citizens who have lost their mates and dance together at a wake.

Character Changes

The musical comes across as a frothy, light-hearted romp, but that belies the challenge to its four-person ensemble who have to perform in a variety of parts. The performers have to act, sing, dance, and need plenty of energy to make fast turns from scene to scene. They need to change their costumes (courtesy of costume designer Andrés Mota), change the inflection of their voices, and change their style of moving (choreographed by Mary Iris Loncto) in order to transform from one character to another within minutes.

There are four exceptional performers in the revue. They’re referred to as Woman #1, Woman #2, Man #1, and Man #2.  That’s because the actors change so often that the audience might be confused by characters with over a dozen names.

As Woman #1, Sarah Obert demonstrates terrific comic timing as a shy young girl who wants to become more interesting to the opposite sex, a career-woman who isn’t interested in marriage, and a mother trying to keep everything together on a road trip.  As Woman #2 Marina Magnelli is a hoot with characterizations that have her going from a kid in the back seat of a car during a road trip, to a hard-driven lawyer, and then to an elderly widow at a wake.

As Man #1 Adrian Thornburg has a powerful vocal presence singing “Shouldn’t I Be Less in Love With You” when he tells his wife how much he loves her.  As Man #2 Jeffrey Charles is a riot as the macho guy on a date with a woman who wants him to share her appreciation for weepy, personal films, and to a harried driver of a family road trip.

An adorable show with lots of laughs, “I Love You, You’re Perfect, Now Change” tackles many of the endearing and hilarious aspects of romance, but it also features some of its serious pitfalls, such as doubting oneself before a first date, the fear of being alone, the regret of not taking a chance, and the pain of trying to move on when love dies.

Although a terrific feel-good show, it isn’t really for kids. This is a production that’s more suitable for grown-ups and will be enjoyed by those who are dating or in romantic relationships, and married couples of any age.

Now playing at the Oil Lamp Theater in Glenview, Illinois "I Love You, You're Perfect, Now Change" demonstrates, love is timeless, still very funny, and oftentimes very poignant. (Oil Lamp Theater)
Now playing at the Oil Lamp Theater in Glenview, Illinois "I Love You, You're Perfect, Now Change" demonstrates, love is timeless, still very funny, and oftentimes very poignant. Oil Lamp Theater
‘I Love You, You’re Perfect, Now Change’ Oil Lamp Theater 1723 Glenview Road, Glenview, Ill. Tickets: 847-834-0738 or OilLampTheater.org Runs: 2 hours Closes: July 2, 2023
Betty Mohr
Betty Mohr
Author
As an arts writer and movie/theater/opera critic, Betty Mohr has been published in the Chicago Sun-Times, The Chicago Tribune, The Australian, The Dramatist, the SouthtownStar, the Post Tribune, The Herald News, The Globe and Mail in Toronto, and other publications.
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