“It will allow people to reflect on the true meaning of life, and regain hope in life so that that they have the courage,” she said. “We can find a way out of this confusion.”
Music and Divine Inspiration
The competition puts the spotlight on music from the Baroque, Classical, and Romantic eras. Save for a work commissioned especially for the competition, which the pianists will play by heart in the semifinals, the competition repertoire is entirely music written between 1600 and 1900.“The music of these three periods is the most representative of the most orthodox and traditional of the art of piano music; it has been tempered by and withstood the test of history and passed down to this day,” Yao said. “This is music that will last forever.”
These are masterworks that are an example of divine inspiration. Yao notes that early music was largely for the purpose of expressing respect and praise for the gods, and over time it developed into the structured and complex form we know as classical music.
Yao recommends that young musicians acknowledge the gift the divine has given us.
“Use this universal music to express your devotion to the most beautiful and purest gift given to us by God,” Yao said. As for herself, she listens, and “thanks God for His tolerance and redemption.”
“The most important thing is that we must have kind thoughts in our hearts and be grateful to God, then we have the opportunity to welcome a hopeful tomorrow. In this respect, holding the competition this year is especially meaningful,” Yao said.
Purity of Performance
Every artist is concerned with more than just their technique.Part of what the judges will be looking for in the pianists is purity of performance, which will really be put to the test when semifinalists have to perform the commissioned piece.
Like the rest of the repertoire, it follows tradition. But it will be a unique challenge because it is based on a Chinese piece.
“It is also one of the most notable features of our competition,” Yao said. This will be the third year the competition has commissioned a special piece.
“There are deep connotations in the Chinese melody that a pianist can fully demonstrate. The music is beautiful and magnificent and the perfect combination of Chinese and Western music,” Yao said.
It’s a musical treasure to be cherished, and worthy of careful consideration, Yao said. If a pianist can play in a way that reflects his or her pure spirit, “the soul feels joy, and it feels that it has reached that very pure and selfless state,” she said.
“The piano performance requirements are very high. The whole person must be involved in the performance, and the person and piano are integrated. Therefore, the piano must be played to the most perfect, best sounding, and highest level. The performers themselves must have that moral state, a peaceful state of mind,” she said. “Only with that pure heart, that awe and heart to glorify God, is the music one plays the best. That kind of melody can penetrate people’s hearts and stay for a long, long time, moving the listener and inspiring the listener.”