Film Review: ‘Matter out of Place’: Film About Waste Is Mostly a Waste of Time

Michael Clark
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Of all film genres, documentaries have the greatest amount of creative leeway. There are no structural guidelines regarding content, narrative style, or presentation and, thus, no rules with which to adhere: Almost anything goes. No one working within this genre knows these things better than Austrian director Nikolaus Geyrhalter.

To say Geyrhalter’s movies are an “acquired taste” would be a gargantuan understatement. Since 1992, he’s made 15 features, yet only four of them (“Elsewhere,” Our Daily Bread,” “Abendland,” and “Homo Sapiens”) have dedicated entries on more than one online movie-inclusive databases.

Director Nikolaus Geyrhalter shows many scenes of garbage in "Matter Out of Place." (Icarus Films)
Director Nikolaus Geyrhalter shows many scenes of garbage in "Matter Out of Place." Icarus Films
Geyrhalter followers are a scant few but fiercely loyal and will undoubtedly be wowed by and offer up hearty hosannas for his latest offering “Matter out of Place” (“Matter”). As the movie is only scheduled to open in New York and Los Angeles, the odds that “Matter” will rope in any new Geyrhalter converts are infinitesimal.

Same Old Wheelhouse

As with most of Geyrhalter’s previous efforts, he trots out the main tools from his wheelhouse: stationary imagery, and next to no dialogue, backing score, or narration. Some might say the last three aren’t tools at all, which is kind of true, yet I consider them to be negative asset gimmicks.

There have been many other movies from different filmmakers that utilize one of the above Geyrhalter calling cards, but when all four are tossed into the mix the result is a beyond-static, pretentious, naval-gazing snooze-fest.

As tedious and austere as this approach may be, it could have worked had Geyrhalter chosen to showcase the majesty of nature: the great plains of Africa, Germany’s Black Forest, the White Cliffs of Dover, Montana’s Big Sky, and the like. There are thousands of places on our planet that beautifully display God’s handiwork, destinations that wouldn’t need any kind of extraneous embellishment.

To his credit, Geyrhalter does include a snowcapped mountain or two but is sure to include a juxtaposing visual reminding us of his movie’s purpose of existence: garbage. Not metaphoric garbage mind you, but actual garbage. Towering peaks of manmade waste in all of its various forms.

Globetrotting

Spanning the globe, Geyrhalter and his crew visit Switzerland, Albania, Nepal, Maldives, Austria, Greece, and the state of Nevada underscoring that trash should be of universal concern and, on that point, he’s right. Nobody likes garbage, yet “Matter” (with minor exceptions) only addresses a single facet of the issue, namely moving it from one place to another, often at a snail’s pace.

We get the idea the movie is going nowhere fast with its first “chapter,” a flat, seemingly empty field directly adjacent to high-rise dwellings somewhere in Austria. Two guys in hard hats watch as an earth-moving machine digs a 5-foot by 10-foot by 5-foot rectangular hole revealing what they believe to be a 50-year-old landfill containing discarded aerosol cans, rubber tires, and other non-biodegradable objects.

First, we get the impression that the garbage is going to be relocated, but that’s not the case. When done, everything is placed back in the hole and recovered again. Just exactly was the point of this exercise?

In Maldives, Albania, and Greece, there are multiple scenes showing volunteers at various beaches and underwater collecting trash, bagging it, and taking it to … wait for it … more landfills. While not on a shoreline, a similar chapter taking place in Nepal ends in the same place: a landfill.

The one chapter that shows a degree of ingenuity, resourcefulness, and forward-thinking takes place in Switzerland. Starting atop a village that doubles as a ski resort, we follow collected waste on a journey that includes dump trucks headed down steep slopes while strapped below ski-lift cars. The contents don’t end up in a landfill and the final destination might surprise you.

The penultimate chapter finds Geyrhalter and company back in Austria where refuse of kinds (including furniture and mattresses) is first pulverized, then incinerated and recycled into something that again, might surprise you.

Nikolaus Geyrhalter's "Matter Out of Place" shows garbage throughout the world. (Icarus Films)
Nikolaus Geyrhalter's "Matter Out of Place" shows garbage throughout the world. Icarus Films

The final scene takes place at the annual Burning Man Festival near Black Rock City, Nevada, where revelers attend outdoor Rave parties while donned in cosplay outfits and could easily be part of background crowds in a “Mad Max” flick. Spouting a bunch of leftover ‘60s hippie idealism, the attendees and staff also observe a “leave no trace” practice where they clean up so efficiently when done, no one can tell they were ever there.

There was enough going on during this segment to warrant a feature of its own and it is the only portion of the movie that both entertains and informs. As good as it is, it was too little too late and couldn’t save a movie that only partially speaks to its own choir without offering much in the way of ecological solutions.

The message isn’t what’s wrong here—it’s the messenger.

“Matter Out of Place” opened in New York on April 14 and in Los Angeles on April 21.
‘Matter Out of Place’ Documentary Director: Nikolaus Geyrhalter Running Time: 1 hour, 46 minutes MPAA Rating: Not Rated Release Date: April 14, 2023 Rating: 2 out of 5
Michael Clark
Michael Clark
Author
Originally from the nation's capital, Michael Clark has provided film content to over 30 print and online media outlets. He co-founded the Atlanta Film Critics Circle in 2017 and is a weekly contributor to the Shannon Burke Show on FloridaManRadio.com. Since 1995, Clark has written over 5,000 movie reviews and film-related articles. He favors dark comedy, thrillers, and documentaries.
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