Miami has become one of the country’s best destinations for design.
To be clear, the correct geographic nomenclature for what everyone, including this columnist, calls Miami is actually Greater Miami as Miami Beach and Miami, linked by causeways across Biscayne Bay, are actually separate cities.
Lining the streets of Miami Beach—about a century ago, this was a mangrove swamp—are hundreds of listed buildings from the second quarter of the 20th century.
The most well-known are the pastel-colored art deco landmarks of the aptly named Miami Beach Architectural District. Found along the main streets of Collins Avenue, Ocean Drive, and Washington Avenue, they were remarkably saved from demolition by preservation-minded residents who challenged powerful interests at a time when few people in the halls of government thought half-century-old architecture was worth saving from the forces of progress and development. After all, today’s retro was once considered modern.
Beyond art deco, there are notable examples of Mediterranean revival and later styles, including midcentury modern. Similar midcentury buildings can be seen in Honolulu, where this style of postwar design was in vogue at the time of Hawaii statehood in 1959.
One of the most overlooked landmarks is the post office on Washington Avenue at 13th Street. Built during the Depression by the federal Works Progress Administration, its interior features three murals by Charles Russell Hardman that are worth traveling to see.
What stood out most was the way the art deco buildings seamlessly blended with newer designs in a way that didn’t make Miami Beach feel buried in a time capsule.
Accompanying the streetscape is a rather significant collection of curated and commissioned public art that dates to the creation of a city-run arts program in 1984.