The Asses’ Ears of Modernism and Post-Modernism

The Asses’ Ears of Modernism and Post-Modernism
(L–R) Apollo is crowned by Tmolus in a contest with Pan, while Midas sports new ears as punishment for poor taste. “Apollo as Victor Over Pan,” 1637, by Jacob Jordaens. Oil on Canvas, 70.8 inches by 106.2 inches. Prado Museum, Madrid. Public Domain
James Sale
Updated:
In my previous article on King Midas, we found that the Midas Touch proved to be a curse—the automatic consequence of the hubris of Midas.

King Midas (if you remember the myth) recognizes a prisoner brought before him as Silenus, the stepfather of the disrupter god Dionysus, and Midas not only releases the prisoner, but he also honors him with feasting and drinking. Dionysus, extremely grateful, offers Midas an incredible gift, namely, anything he would like to have. This open-ended offer is immediately abused by Midas, who thus reveals his hubris. Without hesitation, Midas asks for the golden touch.

James Sale
James Sale
Author
James Sale has had over 50 books published, most recently, "Gods, Heroes and Us" (The Bruges Group, 2025). He has been nominated for the 2022 poetry Pushcart Prize, and won first prize in The Society of Classical Poets 2017 annual competition, performing in New York in 2019. His most recent poetry collection is “DoorWay.” For more information about the author, and about his Dante project, visit EnglishCantos.home.blog
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