Sunset Boulevard’ (1950) and ‘Forever Female’ (1953)

Two films that star William Holden have very different endings.
Sunset Boulevard’ (1950) and ‘Forever Female’ (1953)
(L–R) Max von Mayerling (Erich von Stroheim), Norma Desmond (Gloria Swanson), and Joe Gillis (William Holden), in “Sunset Boulevard.” Paramount Pictures
Tiffany Brannan
Updated:
0:00
One narrative can reach two very different conclusions. Although two films’ plots can seem similar, one could be a comedy, while the other takes a tragic turn. When an actor plays a role in both films, the similarities are hard to overlook.  
The Billy Wilder-directed melodrama, “Sunset Boulevard” (1950), features one of Holden’s most acclaimed performances, earning him his first Best Actor Academy Award nomination. In contrast, the Irving Rapper-directed comedy “Forever Female” (1953) has been largely forgotten. Both are worth watching just to see how they compare.

A Melodrama and a Comedy

“Sunset Boulevard” tells the Hollywood story about an out-of-work scriptwriter, Joe Gillis (William Holden), who stumbles into the frozen-in-time mansion of eccentric, forgotten silent film star Norma Desmond (Gloria Swanson). Desperate for money, Joe agrees to revise the absurd script she wrote for her movie comeback, but he soon finds himself a prisoner in the house. The mentally imbalanced middle-aged has-been falls in love with him, and her sinister butler, Max von Mayerling (Erich von Stroheim), who is also her ex-husband, aids her delusions.  Joe sneaks out at night to work on his own script with young production assistant Betty Schaefer (Nancy Olson), and they start developing feelings for each other.
Tiffany Brannan
Tiffany Brannan
Author
Tiffany Brannan is a 23-year-old opera singer, Hollywood historian, vintage fashion enthusiast, and journalist. Her classic film journey started in 2016 when she and her sister started the Pure Entertainment Preservation Society to reform the arts by reinstating the Motion Picture Production Code. Tiffany launched Cinballera Entertainment in June 2023 to produce original performances which combine opera, ballet, and old films in historic SoCal venues. Having written for The Epoch Times since 2019, she became the host of a YouTube channel, The Epoch Insights, in June 2024.
facebook