Song of the Angels: Music and the Heavenly Realm

Celestial music is depicted throughout art history with representations of angelic choirs.
Song of the Angels: Music and the Heavenly Realm
A detail of “Gloria,” 1884, by Thomas Wilmer Dewing. The Cleveland Museum of Art. Public Domain
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Before the geocentric understanding of the universe was dismantled by Nicolaus Copernicus and Galileo Galilei’s observations, people believed the Earth was the center around which the planets, stars, sun, and moon revolved. This conception of the universe originated the Pythagorean philosophical concept of “musica universalis” (“universal music”), also known as “music of the spheres.”

Although this universal music was not audible to human ears, the idea was that the celestial bodies moved in such a way that produced frequencies and hums based on their orbits, and that the soul could perceive this inaudible musical harmony.

Mari Otsu
Mari Otsu
Author
Mari Otsu holds a bachelor's in psychology and art history and a master's in humanities. She completed the classical draftsmanship and oil painting program at Grand Central Atelier. She has interned at Harvard University’s Gilbert Lab, New York University’s Trope Lab, the West Interpersonal Perception Lab—where she served as lab manager—and at the Smithsonian American Art Museum.