Santa Barbara County Courthouse: Simple Exterior, Vibrant Interior

In this installment of ‘Larger Than Life: Architecture Through the Ages,’ we visit a courthouse that expresses Spanish Andalusian style.
Santa Barbara County Courthouse: Simple Exterior, Vibrant Interior
Primarily made with stucco walls and a terracotta roof, the courthouse is surrounded by a lush landscape. The 85-foot tall clock tower with tall arched openings maintains its original clock works and the clock has always kept time. Surrounding the clock tower is a wrought-iron railing. The principal garden-side enhancement to the plain stucco walls is the carved sandstone façade surrounding the portal. Nagel Photography/Shutterstock
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Taking up an entire block on more than four acres in downtown Santa Barbara, California, is the  sprawling circa-1929 county courthouse.

Santa Barbara County Courthouse’s modified castle architectural plan was designed by the San Francisco firm William Moser Company, headed by father and son duo William Moser II and William Moser III. Having resided in Italy and Spain and studied at the famous Ecole des Beaux Arts in Paris, the younger Moser primarily informed the distinct architectural drawings of draftsman J. Wilmer Hershey.

Thus, the courthouse’s appearance became a collaborative project to achieve Spanish Andalusian style, meaning an eclectic expression of styles. The courthouse’s aesthetic influences drew from Moorish and Spanish Colonial as well as classical Greek and Roman architecture.

Shaped like a capital “L,” the courthouse compound joins four buildings with arches, loggia, porticos, and doorways. A sunken lawn garden space comprises the interior part of the “L.” In true castle-like form, the design includes a clock tower as well as a rotunda tower, which is located at the inner corner of the two long wings.

From the pale-yellow stucco exterior walls to the brightly painted murals of the original courthouse, the Santa Barbara County Courthouse is a favorite photo spot for special occasions.

The total building's 148,000 square footage is evident from this aerial view. The architecture mimics the look of a fortress or small castle, the intention of the original building supervisors and architects. The main portal’s carved sandstone arched façade features a fountain flanked by 20-foot tall Corinthian columns. The elaborate details of this pass-through from street to garden distinguishes it from the structure's muted stucco walls. (Wirestock Creators/Shutterstock)
The total building's 148,000 square footage is evident from this aerial view. The architecture mimics the look of a fortress or small castle, the intention of the original building supervisors and architects. The main portal’s carved sandstone arched façade features a fountain flanked by 20-foot tall Corinthian columns. The elaborate details of this pass-through from street to garden distinguishes it from the structure's muted stucco walls. Wirestock Creators/Shutterstock
The garden-facing portal is set off by an asymmetrical carved sandstone facade. It includes Grecian-style carvings, such as a Titan image of strength at the center point of the arch, which is outlined in classic dental-molding. A multi-layer, inset Romanesque rose window is a standout among the various sized arched and rectangular windows. (Claudine Van Massenhove/Shutterstock)
The garden-facing portal is set off by an asymmetrical carved sandstone facade. It includes Grecian-style carvings, such as a Titan image of strength at the center point of the arch, which is outlined in classic dental-molding. A multi-layer, inset Romanesque rose window is a standout among the various sized arched and rectangular windows. Claudine Van Massenhove/Shutterstock
The original courthouse in Santa Barbara is where many couples choose to marry. Its stunningly colorful murals by California artist Dan Sayre Groesbeck depict the town’s early history of indigenous peoples before the Spaniards arrived, as well as 19th- and 20th-century history. Dark-stained oak and walnut pews and furnishings fill the space. Multi-tiered iron chandeliers hang from an open ceiling with exposed beams that were stenciled with copper-zinc alloy paint to mimic gold leaf. The salmon-hued tile floor is inset with painted decorative tiles. (Nagel Photography/Shutterstock)
The original courthouse in Santa Barbara is where many couples choose to marry. Its stunningly colorful murals by California artist Dan Sayre Groesbeck depict the town’s early history of indigenous peoples before the Spaniards arrived, as well as 19th- and 20th-century history. Dark-stained oak and walnut pews and furnishings fill the space. Multi-tiered iron chandeliers hang from an open ceiling with exposed beams that were stenciled with copper-zinc alloy paint to mimic gold leaf. The salmon-hued tile floor is inset with painted decorative tiles. Nagel Photography/Shutterstock
Multiple wide pointed arches provide a cavernous tunnel feel to one of the long hallways. Iron and glass lanterns in a Spanish galleon-style hang from each arch. In between each arch are exposed wooden beams. They contrast with the light color of the walls. The only other embellishments situated on the tile floor are the hand-carved benches. (Nagel Photography/Shutterstock)
Multiple wide pointed arches provide a cavernous tunnel feel to one of the long hallways. Iron and glass lanterns in a Spanish galleon-style hang from each arch. In between each arch are exposed wooden beams. They contrast with the light color of the walls. The only other embellishments situated on the tile floor are the hand-carved benches. Nagel Photography/Shutterstock
The covered walkway area of the courthouse, referred to as a loggia, features a series of arched and columned openings to the garden. From the painted ceiling hang Moorish-style lanterns, defined by their glass and unique metal ornamentations. The loggia floor is tiled with terracotta throughout. (Emily Marie Wilson/Shutterstock)
The covered walkway area of the courthouse, referred to as a loggia, features a series of arched and columned openings to the garden. From the painted ceiling hang Moorish-style lanterns, defined by their glass and unique metal ornamentations. The loggia floor is tiled with terracotta throughout. Emily Marie Wilson/Shutterstock
Sixteen painted columns, each topped with a carved acanthus leaf design, support the spiral banister in the stairwell. Earthy colored, Moorish tilework decorates the circular space, and an eight-pointed star pattern is the floor’s centerpiece. Inside the star is a bronze medallion engraved with “Native Sons of the Golden West,” the iconic California grizzly bear symbol, and the date of the building's dedication: Aug. 14, 1929. (Emily Marie Wilson/Shutterstock)
Sixteen painted columns, each topped with a carved acanthus leaf design, support the spiral banister in the stairwell. Earthy colored, Moorish tilework decorates the circular space, and an eight-pointed star pattern is the floor’s centerpiece. Inside the star is a bronze medallion engraved with “Native Sons of the Golden West,” the iconic California grizzly bear symbol, and the date of the building's dedication: Aug. 14, 1929. Emily Marie Wilson/Shutterstock
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Deena Bouknight
Deena Bouknight
Author
A 30-plus-year writer-journalist, Deena C. Bouknight works from her Western North Carolina mountain cottage and has contributed articles on food culture, travel, people, and more to local, regional, national, and international publications. She has written three novels, including the only historical fiction about the East Coast’s worst earthquake. Her website is DeenaBouknightWriting.com