In the 1970s, from purely a box office perspective, four leading men dominated the movie landscape: Robert Redford, Paul Newman, Jack Nicholson, and Clint Eastwood. While all of them cranked out a bunch of hits, they also had multiple artistic clunkers and box office bombs. During this same period, Al Pacino starred in far fewer films (eight) and just one of them (“Bobby Deerfield”) was a stinker and lost money. That’s a pretty impressive batting average.
Written by then married couple Valerie Curtin and Barry Levinson and directed by Norman Jewison, “… And Justice For All” (AJFA) is a blistering satirical commentary on the American judicial system in general and specifically the correctly perceived “two sets of rules” for society’s haves and the have-nots.
Attorney Versus Judge
“AJFA” opens with Kirkland being released from jail after being found in contempt by Henry T. Fleming (John Forsythe), a rigid, by-the-book type judge who is thoroughly lacking in compassion and regularly butts heads with Kirkland. Fleming refuses to consider Kirkland’s multiple pleas regarding a man being held in custody simply because he shares the same name as a wanted murderer.Not Quite Needed Sub-Plots
Not faring quite as well are subplots involving Kirkland’s diminished-capacity grandfather Sam (Pacino’s “Actor’s Studio” mentor and co-star from “The Godfather, Part II” Lee Strasberg) and Gail (Christine Lahti), yet another attorney-turned-possible-love-interest. Had these threads been left on the cutting room floor, few would have noticed and the story as a whole would have been a lot tighter.Blackmail and Public Perception
The filmmakers wait as long as possible to introduce the main plot point and it is a doozy. After Fleming is charged with a most lascivious and heinous crime, he skillfully blackmails Kirkland into representing him. Fleming (rightfully) figures that if Kirkland chooses to defend him, it will all appear to be on the up-and-up and the ice-cold, calculating Fleming is spot-on. From a public perception point of view, Fleming could not have hired anyone more suitable to his cause than Kirkland.Showing up briefly initially for the purpose of foreshadowing and, later on, to deliver some huge plot twists are Dominic Chianese as Carl Travers and Craig T. Nelson as Frank Bowers. Also one of Pacino’s cast mates from “The Godfather, Part II,” Chianese’s Travers bears more than a passing resemblance to his iconic Uncle Junior character from “The Sopranos.” Bowers is the slippery attorney prosecuting Fleming, and he is more than aware of how much of a coup it will be for his career to nail a judge.
The End of An Era
“AJFA” somewhat sadly marked the end of Pacino’s “Golden Era.” Although his output increased in volume over the next 40 years, the quality of the projects he picked proved to be highly uneven. For every “Heat,” “Glengarry Glen Ross,” “Donnie Brasco,” or “The Irishman,” he appeared in, there were two “Jack and Jill,” “Gigli,” “88 Minutes,” or “Hangman.”Pacino has delivered many iconic lines:
“It’s not personal Sonny, it’s strictly business.” “I know it was you Fredo, and you broke my heart.” “Attica!” “Say hello to my little friend!” “I’m reloaded!” “Whoo-Ah!”Pacino ended the ‘70s with what is arguably one of his memorable quotes: “You’re out of order! They’re out of order! That man is out of order! This whole trial is out of order!” It is the pinpoint punctuation mark for one of the greatest closing monologues in movie history.