Restoring Faith: Notre-Dame de Paris Enters a New Era
In this installment of ‘Larger Than Life: Architecture Through the Ages,’ we visit the French Gothic masterpiece of ‘Our Lady of Paris’ after its restoration.
On April 15, 2019, as the world watched fire ravage the Notre-Dame de Paris (Our Lady of Paris in English), people wondered if the beloved cathedral would ever be the same. Now, after five years of restoration, the holy French Gothic masterpiece graces the Paris skyline anew.
It took some 250 companies and hundreds of experts to restore the cathedral. As Victor Hugo wrote in “The Hunchback of Notre Dame,” “The greatest products of architecture are less the works of individuals than of society; rather the offspring of a nation’s effort, than the inspired flash of a man of genius.” People around the world donated more than $882 million to help.
A Medieval Treasure
Around 1160, the bishop of Paris, Maurice de Sully, commissioned the Notre-Dame in honor of the Virgin Mary. Pope Alexander III laid the cathedral’s cornerstone in 1163, and although most of the building was completed by the end of the 12th century, the cathedral took nearly two centuries, until 1345, to finish.
The key elements of the cathedral’s French Gothic architecture are pointed arches, slender columns, ribbed vaulting (featuring a framework of arches resembling ribs), and flying buttresses (external structural supports). Experts believe the flying buttresses saved the cathedral from complete collapse during the fire.
Throughout its 860-year history, the Notre-Dame has undergone much destruction and renewal, most notably its desecration during the French Revolution of the 1790s. In the 1840s, architect Eugène Emmanuel Viollet-le-Duc repaired, restored, and made new additions to the cathedral, while staying true to its Medieval roots.
Restoring Notre-Dame
The 2019 fire toppled the Notre-Dame’s spire and destroyed the framework, the roof, and three sections of the vault (a self-supporting arched form covering interior spaces with a ceiling). Remarkably, the Great Organ survived, as did many of the paintings, furniture, and stained-glass windows.
Experts analyzed the original stonework to guide the sourcing of material—around half an Olympic-size swimming pool of stone—for use in the restoration. They found that La Croix-Huyart quarry, in Bonneuil-en-Valois, northern France, was the only quarry with hard stone suitable for reconstructing the vault arches and restoring the walls. Eight quarries in the regions of Saint-Maximin, in southeast France, and Soissons, in northern France, provided the softer stones for restoring the interior stonework, and repairing and reconstructing the vaults.
Foresters selected and felled 1,000 oak trees across France to restore the medieval framework of the nave, choir, and spire. Carpenters across the country carved each tree using 13th-century and 19th-century techniques, where appropriate.
Eight teams of master stained-glass artisans, trained in centuries-old traditions, restored and cleaned all the stained glass.
Sculptors and stonecutters worked on the cathedral site in a hall known as the sculptor’s lodge, just as their Medieval counterparts would have done.
The cathedral’s architect, Philippe Villeneuve, told AP: “This wasn’t just about restoring a building. This was about restoring the heart of France.”
Notre-Dame de Paris Cathedral opens to the public on Sunday, Dec. 8, the feast day of the Immaculate Conception, marking the day of the Virgin Mary’s conception without sin. To find out more, visit NotreDamedeParis.fr
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Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.