Poetry 101: Bits of Advice for Disinclined Readers of Verse

You may be more inclined to pick up a poem, thanks to the medium’s many benefits and inspirational power.
Poetry 101: Bits of Advice for Disinclined Readers of Verse
A detail from "Saint Ambrogio" by Rutilio Manetti. Public Domain
Jeff Minick
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A close friend of mine always has a book going. Having now read all the novels of Jane Austen—she’s just finished “Mansfield Park”—she’s back on the sofa with her preferred histories, biographies, and travel books. Under a pseudonym, she’s even written a moving and sweet portrait of America and travel by rail, “The Train From Greenville.”

But she rarely reads poetry.

Another longtime friend runs through suspense thrillers like the “Jack Reacher” books, enjoys Civil War history, and consumes up to a dozen online essays and articles daily but, once again, never cracks open a book of verse. His avoidance of poetry seems due less to aversion than to apathy. He simply never considers taking a look at Shakespeare, Kipling, Emily Dickinson, or Edna St. Vincent Millay, poets whose work can move and entertain me.

Others I’ve known—students and acquaintances—would no more think of opening a book of poetry than they would of diving into a waterless swimming pool. Others openly dislike poetry, a hangover of animosity from their schooldays when poring over Shakespeare’s blank verse or deciphering Wallace Stevens’s “The Emperor of Ice-Cream” was akin to death by a thousand cuts.

"The Emperor of Ice-Cream" featured inside the 1938 book "<a href="https://archive.org/details/harmoniumbookofp0000unse/page/96/mode/2up" target="_blank" rel="nofollow noopener">Harmonium; A Book of Poems</a>" by Wallace Stevens. Internet Archive. (Public Domain)
"The Emperor of Ice-Cream" featured inside the 1938 book "Harmonium; A Book of Poems" by Wallace Stevens. Internet Archive. Public Domain

Why Poetry?

This antipathy baffles those of us who find so many treasures—entertainment, hope, wisdom, and more—in the vast storehouse of poetry. Christina Rossetti’s elegiac “Remember” comforted us when we lost a loved one to death. Henley’s “Invictus” put steel in our spine when we needed endurance and courage. We looked to Kipling’s “If-” for guidance when young and to Tennyson’s “Ulysses” when old. We shared Cummings’s “somewhere i have never travelled” with a beloved who became our spouse, and Ogden Nash’s “Common Cold” can still fetch a laugh.

In our age of texts and memes, some find poetry’s compression of thought and feeling attractive when compared with prose.

Those who want the words on a printed page to sing find music in poetry’s rhythms and bounce, rhymes, and word choices. Try this experiment: Take up a copy of Emily Dickinson’s “Because I Could Not Stop for Death,” then listen to the old Coke ad “I’d Like to Teach the World to Sing.” You can use that tune to sing Dickinson’s verses about death. The effect is ludicrous and renders the poem banal, but here’s the point: Those words swing with a musical rhythm.

Many poems, from the well-known to the obscure, deposit words and lines, fragments of thought and emotion, in our minds. These are noble sentiments that reflect truth, beauty, and goodness. These stick with us and may even influence our view of life and the world.

Inspired by Tennyson’s “The Lady of Shalott,” for example, English artist John Waterhouse created an equally famous painting by the same name. On a grander scale, Winston Churchill memorized reams of poetry, and he frequently took from that hoard of verse the gold that inspired a nation.
"The Lady of Shalott," 1888, by John William Waterhouse. Oil on canvas; 72 inches by 90 1/2 inches. National Gallery, London. (Public Domain)
"The Lady of Shalott," 1888, by John William Waterhouse. Oil on canvas; 72 inches by 90 1/2 inches. National Gallery, London. Public Domain
These are some reasons for trying your hand, eye, and ear at poetry. Up next are some pointers for getting started on your venture into verse.

Digital Resources

Search online for “How to read a poem,” and you’ll find an abundance of resources at your fingertips. Some of these articles are aimed at the general reader, while others offer assistance to students seeking help in digging out the meaning of a certain poem or learning more about poetry techniques, like rhyme scheme or blank verse. I like the Society of Classical Poets site, and I frequently visit the Poetry Foundation with its enormous collection of poems and essays.

One easy way to begin reading poetry is to sign up with a poem-a-day provider. Every day, a poem will appear in your mailbox. Many of these feature new poets.

In addition to these resources, here are some ideas drawn from my own experience.

Anthologies

Your public library should offer a number of verse collections. They are ideal for browsing poems and poets, and seeing what catches your eye. The “Norton Anthology of Poetry, 6th Edition,” for example, contains more than 1,800 poems and is a teaching tool often used in universities. More specialized works run the gamut from Dover’s “Great Love Poems” to “The New Oxford Book of War Poetry.”
One volume that might appeal to beginners is “The Best Loved Poems of the American People.” This 670-page tome, which offers classics and popular poems up to the early 20th century, is a wonderful resource for reference and inspiration.
"The Best Loved Poems of the American People," edited by Hazel Felleman, is a poetry classic.
"The Best Loved Poems of the American People," edited by Hazel Felleman, is a poetry classic.

Small Is a Smart Start

Just as you start trying to shape up with a walk around the block, you’ll do best by starting with short pieces of verse when beginning your exploration. They’re easier on the attention span, are usually simple in their meaning, and let you run a sprint rather than a poetical marathon.
Here, for instance, is a longtime favorite of mine, Edwin Markham’s “Preparedness”:

For all your days prepare, And meet them ever alike; When you are the anvil, bear— When you are the hammer, strike.

Search online for “famous short poems,” and you’ll find plenty of choices. Emma Baldwin’s bouquet of “25 Short Famous Classic Poems” will get you off to a great start.

Follow Your Heart

Look for poems and poets whose interests match your own. In my younger days, some of my go-to poets were Kipling, A.E. Housman, and Edna St. Vincent Millay.
Today, my interests in poetry have shifted to verse that inspires the virtues and boosts self-improvement. Best known for “Solitude,” Ella Wheeler Wilcox has become a particular favorite. To some aficionados, that preference marks me as a middle-brow reader, a title I proudly accept.

Read Aloud

Poems were made for reading aloud. The rhythms and rhymes are for the ear as much as for the eye. Not so long ago, before electronic entertainment like radio, television, and computers came along, our ancestors often gathered in a parlor and read poems and stories as a family. We can easily do the same, or even read aloud when solitary.

This read-aloud strategy is a great way to make a poem your own and to take the greatest pleasure in doing so.

These are the sort of poems our not-so-distant ancestors, men, women, and young people once read aloud in the evenings in the family parlor. (Pressmaster/Shutterstock)
These are the sort of poems our not-so-distant ancestors, men, women, and young people once read aloud in the evenings in the family parlor. Pressmaster/Shutterstock

Open Brain, Insert Poem

Another way to make the poem a part of yourself is to memorize it. The words and, even more importantly, the inspiration are then available if and when you need them.
Even snippets of a poem can become guides and affect our situation. The restaurant server working on Mother’s Day, for instance, or the emergency room nurse on Saturday evenings may be helped in the ensuing chaos by recollecting the first two lines of Kipling’s “If-”: “If you can keep your head when all about you/Are losing theirs and blaming it on you.”

Explore, Explore, and Have Some Fun

This last suggestion is for all those readers who came away from some high school or university literature class vowing never to read another poem. Dissection killed any love they might have felt for verse. That critical approach belongs to serious students of literature, but the rest of us should heed the cautionary “Introduction to Poetry” by former poet laureate of the United States Billy Collins. Here is how not to read a poem:

I ask them to take a poem and hold it up to the light like a color slide

or press an ear against its hive.

I say drop a mouse into a poem and watch him probe his way out,

or walk inside the poem’s room and feel the walls for a light switch.

I want them to waterski across the surface of a poem waving at the author’s name on the shore.

But all they want to do is tie the poem to a chair with rope and torture a confession out of it.

They begin beating it with a hose to find out what it really means.

April brings us National Poetry Month. With schools, libraries, and bookstores all joining in this celebration, now’s the perfect time to take the leap and give yourself over to the joys and pleasures of poetry.
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Jeff Minick
Jeff Minick
Author
Jeff Minick has four children and a growing platoon of grandchildren. For 20 years, he taught history, literature, and Latin to seminars of homeschooling students in Asheville, N.C. He is the author of two novels, “Amanda Bell” and “Dust on Their Wings,” and two works of nonfiction, “Learning as I Go” and “Movies Make the Man.” Today, he lives and writes in Front Royal, Va.