Opera Review: Gounod’s ‘Roméo et Juliette’

Opera Review: Gounod’s ‘Roméo et Juliette’
Ailyn Pérez as Juliette and Charles Castronovo as Roméo in Gounod's “Roméo et Juliette.” Andrea Shin stepped in for Castronovo on the night the performance was reviewed. Ken Howard / The Metropolitan Opera
Barry Bassis
Updated:

NEW YORK—In Act 2, scene 2 of Shakespeare’s “Romeo and Juliet,” the heroine famously asks, “Romeo, Romeo! Wherefore art thou, Romeo?” The Metropolitan Opera may have been asking the same question with respect its current production of Charles Gounod’s opera “Roméo et Juliette.”

Originally, Bryan Hymel was scheduled to sing the male lead. However, he became ill and was to be replaced by Charles Castronovo. Then, he also cancelled for health reasons and, at the performance I attended, Korean tenor Andrea Shin stepped in, acquitting himself quite well. He deserves extra credit because this was his Met debut. At present, Castronovo is scheduled to return for the remaining performances.

Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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