‘O Brave New World!’: Aldous Huxley on the Moral Dimensions of Art

Like Shakespeare, Huxley knew that the world needed love above all else, and that art could help foster it.
‘O Brave New World!’: Aldous Huxley on the Moral Dimensions of Art
"Miranda-The Tempest," 1916, John William Waterhouse. Oil on canvas; 39 1/2 inches by 54 1/5 inches. Miranda's journey from innocence to knowledge is similar to John the Savage's discovery of contemporary culture in "Brave New World." Public Domain
Leo Salvatore
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O wonder! How many goodly creatures are there here! How beauteous mankind is! O brave new world, That has such people in’t!

These lines are from Shakespeare’s “The Tempest,” a play that abounds with nefarious characters: an usurping prince, two amusing but vile conspirators, a brutish creature, and a few others.

Miranda jests when she exalts the “brave new world.” Daughter to the all-powerful magician and ruler of the island, Prospero, the girl had never been exposed to humans, except for her father and his half-human servant, Caliban.

Leo Salvatore
Leo Salvatore
Author
Leo Salvatore is an arts and culture writer with a master's degree in classics and philosophy from the University of Chicago and a master's degree in humanities from Ralston College. He aims to inform, delight, and inspire through well-researched essays on history, literature, and philosophy. Contact Leo at [email protected]