‘Ip Man’: Kung-fu Mastery Means Harmonizing the Mind First

This installment of ‘Movies for Teens and Young Adults’ celebrates the virtue of balance in Chinese martial arts.  
‘Ip Man’: Kung-fu Mastery Means Harmonizing the Mind First
Gen. Miura (Hiroyuki Ikeuchi) and (Donnie Yen), in "Ip Man." Mandarin Films
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To many Chinese, Foshan, in Guangdong province in southern China, is the birthplace of Chinese martial arts. This film pays tribute to Master Ip Man, who propagated the practice of Wing Chun (a close-quarters style of self-defense). The martial art began in Foshan through his teaching, then worldwide, through his star student in Hong Kong, Bruce Lee.

The otherwise frail-looking Master Ip imbued his instruction with a quiet dignity and a fierce pride in the ancient tradition he upheld; small wonder that his charisma drew reverence from students and respect from rivals. Ip was no saint, but here filmmakers use their fictionalized narrative to deliver deeper messages that go beyond his chops, strikes, grapples, punches, trips, and kicks.

Ip Man (Donnie Yen) balances his body and mind, in "Ip Man." (Mandarin Films)
Ip Man (Donnie Yen) balances his body and mind, in "Ip Man." Mandarin Films

Mutual Respect

Many teens and young adults take up martials arts out of one-upmanship, to show peers on the street who’s boss, or, at the very least, who’s better. Ip’s rejoinder is simple: Skill acquired only to instill fear will stay stunted.

Instead of contempt for one’s peers, one must cultivate mutual respect. Only then can one learn from each other’s strengths, leverage each other’s weaknesses, and nurture mutual learning and growth. A strutting bravado, however, boasts that one has nothing to learn. That’s how students become delinquents. Ip’s saying that only through a humble spirit of lifelong learning do some students grow to become teachers. It’s also how only some teachers grow from good to great.

To Ip, the secret lies in calming, even stilling, the mind. In this way, the body’s energy is conserved for the time when judicious exercise of that power delivers staggering results. A northerner, spoiling for a fight with Ip, mocks Wing Chun as too soft and feminine. Ip corrects him, “Good kung-fu does not depend on age or sex. It’s on you.”

Ip Man (Donnie Yen) defeats a challenger, in "Ip Man." (Mandarin Films)
Ip Man (Donnie Yen) defeats a challenger, in "Ip Man." Mandarin Films
A few instructive bruises later, when the challenger admits that his northern style has lost to Ip’s southern style, Ip corrects him again, “It’s not about styles. It’s about you.” Craft, well taught, may make even a mediocre fighter look good on the practice floor. But unless he rises above pettiness and self-obsession and brings discipline and wisdom to his training, he’ll stay stunted, whether he’s a student or a teacher.

Mature Personhood

Unlike Ip, Foshan’s southern kung-fu masters waste energy squabbling over who’s superior among them. They’re easily overpowered by masters-in-waiting who stride bossily in from the north. That’s a metaphor for mature personhood.

If a person’s divided against himself and weighed down by envy, he’ll be unprepared when an external challenge arrives. This can be physical, mental, familial, or financial. It’s also a metaphor for mature nationhood. For all their bluster about patriotism and honor, the bickering kung-fu schools of Foshan fall to ruin when the Japanese invade.

Ip Man (Donnie Yen) teaches the Chinese how to value themselves, in "Ip Man." (Mandarin Films)
Ip Man (Donnie Yen) teaches the Chinese how to value themselves, in "Ip Man." Mandarin Films

A subplot involving Imperial Japanese soldiers challenging Chinese civilians to duels serves as a melodramatic call to restore not just lost national honor, but a lost unity of body and mind. This is where Ip towers above other masters. He overpowers as many misguided Chinese rivals as he does malicious Japanese soldiers.

His point? Physical mastery over others is within the grasp of most willing students. Spiritual mastery over the restless self, though, eludes even some of the best teachers.

Ip says that although martial arts involve the use of force, the Chinese martial arts are Confucian in spirit; they are more about balance. As he says, “The virtue of martial arts is benevolence … treating others as you would yourselves.”  That isn’t just about economy of motion but grace, too. It’s not about effectiveness alone but elegance, and even beauty.

With the right technique, flexibility, and resilience, Ip knows he can overpower external enemies; here he single-handedly defeats as many as 10 men at once. But he knows something else. The challenge lies in conquering enemies within: his false pride, jealousy, low self-esteem, and selfishness. Watch how, with a gentle gesture and no more than a few words, Ip counsels a young man set on self-destruction.

Bruce Lee, in "Enter the Dragon." (Warner Bros.)
Bruce Lee, in "Enter the Dragon." Warner Bros.
On and off screen Bruce Lee tried to embody Ip’s wisdom. In “Enter the Dragon,” when a bully taunts him about his fighting style, Lee manages to be both pithy and profound. In the spirit of his master, tongue firmly in cheek, Lee says, “My style? You can call it the art of fighting without fighting.”
These reflective articles may interest parents, caretakers, or educators of teenagers and young adults, seeking great movies to watch together or recommend. They’re about films that, when viewed thoughtfully, nudge young people to be better versions of themselves. 
You can watch “Ip Man” on Peacock, Roku, Apple TV, and Amazon Prime. 
What arts and culture topics would you like us to cover? Please email ideas or feedback to [email protected]
Rudolph Lambert Fernandez
Rudolph Lambert Fernandez
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Rudolph Lambert Fernandez is an independent writer who writes on pop culture.