Gordon Parks Exhibit Offers Intimate Glimpse Into Segregation-Era Life for African Americans

Gordon Parks Exhibit Offers Intimate Glimpse Into Segregation-Era Life for African Americans
Husband and Wife, Sunday Morning, Detroit, Michigan, 1950. Photograph by Gordon Parks. Courtesy and © The Gordon Parks Foundation. Courtesy Museum of Fine Arts, Boston
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In the spring of 1950, Gordon Parks, the first African-American photographer for Life Magazine, returned to his hometown of Fort Scott, Kansas. On assignment for the magazine, Parks photographed his middle school classmates, who were dispersed among Fort Scott and other Midwestern cities and towns.

The resulting images – while quite personal to Parks – offer a glimpse into a community and a set of experiences shared by many African Americans of his generation. Depicting the realities of discrimination without the veil of nostalgia, it’s a body of work that captures the resiliency of a community at a significant point in American history – just prior to the Civil Rights Movement.

But for reasons unknown, Life never published the series.

Now, the powerful exhibit of over 40 segregation-era images is on display at Boston’s Museum of Fine Arts.

Untitled, Fort Scott, Kansas, 1950. When Gordon Parks returned to Fort Scott in 1950, blacks and whites existed – tenuously – side-by-side. Photograph by Gordon Parks. Courtesy and © The Gordon Parks Foundation. Courtesy Museum of Fine Arts, Boston
Untitled, Fort Scott, Kansas, 1950. When Gordon Parks returned to Fort Scott in 1950, blacks and whites existed – tenuously – side-by-side. Photograph by Gordon Parks. Courtesy and © The Gordon Parks Foundation. Courtesy Museum of Fine Arts, Boston
Toni Pepe Dan
Toni Pepe Dan
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