From Silver Screen to Stage: ‘Irving Berlin’s White Christmas’

The popular Hollywood holiday staple ushers in the festive season.
From Silver Screen to Stage: ‘Irving Berlin’s White Christmas’
Judy Haynes (Kelly Felthous) and Phil Davis (Tyler Johnson-Campion) dance together, in "Irving Berlin's White Christmas," now playing at the Marriott Theatre in Illinois. Liz Lauren
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LINCOLNSHIRE, Ill.—Irving Berlin (1888–1989) never expected his song “White Christmas” to be a big hit. At the time he wrote it in 1940, he thought of it as just a lightweight melody. But when the Japanese attacked Pearl Harbor on Dec. 7, 1941, the song took on a different meaning. As America mobilized for war and soldiers were on their way overseas, everyone longed for days “just like the ones I used to know.”

Indeed, there’s still many of us who also long for yesteryear America just like the ones we used to know. That’s why “Irving Berlin’s White Christmas,” which premiered in 2000, still resonates with us today and is one of the reasons that the production at the Marriott Theatre in Lincolnshire, Illinois is a much-welcomed entertainment heralding this season’s Christmas.

The Man and the Songs

Berlin’s “White Christmas” song was originally featured in the 1942 black-and-white film “Holiday Inn,” which takes place in Connecticut. It featured Bing Crosby and Fred Astaire. The song was then reprised in the 1954 Technicolor movie “White Christmas,” set in Vermont, starring Crosby, Danny Kaye, Vera-Ellen, and Rosemary Clooney. That second movie became so popular that playwrights David Ives and Paul Blake adapted it into a stage musical.

A Jewish immigrant from Russia, Berlin not only composed the most beloved Christmas song of all time, but he also wrote “Easter Parade” and “God Bless America,” which many believe should be our country’s national anthem. Moreover, while the songs from the film are featured in the theatrical musical, some of his other songs that were not in the movie have been included in the musical production.

While the show features more of Berlin’s musical numbers than the 1954 film did, it follows the movie plot closely. It tells the story of two show business friends, once war buddies, who try to save their military commander’s ski lodge. The lodge is going under because there hasn’t been any snow, and skiers are staying away. The two showmen come up with the idea of putting on a theatrical show as a way to save the failing ski lodge.

Production Value

Betty Haynes (Jacquelyn Jones) and Bob Wallace (Ben Mayne), in a scene in "Irving Berlin's White Christmas." (Liz Lauren)
Betty Haynes (Jacquelyn Jones) and Bob Wallace (Ben Mayne), in a scene in "Irving Berlin's White Christmas." Liz Lauren

With pitch-perfect direction and stunning choreography by Linda Fortunato; a terrific orchestra conducted by Cameron Tragesser; gorgeous costumes by Sally Dolembo; a stage of green wreaths, sparkling Italian lights, and Christmas trees by scenic designer Jeff Kmiec, the Marriott theater-in-the-round is transformed into a festive and winter lodge complete with drifting snowflakes. These combined make for a spectacular production.

While all the design elements create the atmosphere of a wonderful backwoods country escape, and Berlin’s melodic songs remind theatergoers of America’s more innocent times, the show works its spell because of superb and charming performances.

Ben Mayne is terrific as Bob Wallace, whose wonderful vocalizations are reminiscent of Bing Crosby’s portrayal in the movie, and Tyler Johnson-Campion offers fancy tap footwork as Phil Davis, the Danny Kaye character in the film. The women with whom they fall in love are played by Jacquelyn Jones as Betty Haynes and Kelly Felthous as Judy Haynes. The foursome do a great job of delivering Berlin’s delicious tunes.

The standout highlights of the show are those that have Mayne and Jones singing out “Blue Skies,” a poignant “How Deep is the Ocean?” and “Count Your Blessings (Instead of Sheep).”  Furthermore, Johnson-Campion and Felthous deliver a wonderfully harmonizing duet with “I Love a Piano.”

Also contributing nice turns are Robin R. McGee as Martha, the sharp-tongued woman who manages the inn and who does a great job belting out “Let Me Sing and I’m Happy”; and Rom Barkhordar is heartfelt as Gen. Henry Waverly, the hapless owner of the inn. In addition, the ensemble does an exhilarating, show-stopping rendition of “Blue Skies” and “White Christmas” that one won’t forget long after the show’s end.

One of the most haunting of the show’s musical numbers that has an interesting songbook history is “Count Your Blessings (Instead of Sheep).” Berlin spoke of how he was having problems with insomnia brought about by stress, when his doctor suggested that he try to go to sleep by counting his blessings. It became a popular song, but Berlin’s insomnia never went away. Despite his sleep deprivation, he lived to be 101. On his 100th birthday, he told a journalist interviewing him that “if I'd known I was going to live this long, I would’ve taken better care of myself.”

“White Christmas” is an old-fashioned musical that is an enchanting Christmas gift for all. The Marriott’s production of the classic is a guaranteed way to get in the mood for the holidays.

The cast of Marriott Theatre's "Irving Berlin's White Christmas." (Liz Lauren)
The cast of Marriott Theatre's "Irving Berlin's White Christmas." Liz Lauren
‘Irving Berlin’s White Christmas’ Marriott Theatre 10 Marriott Dr., Lincolnshire, Ill. Tickets: 847-634-0200 or MarriottTheatre.com Running Time: 2 hours, 15 minutes (one intermission) Closes: Dec. 29, 2024
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Betty Mohr
Betty Mohr
Author
As an arts writer and movie/theater/opera critic, Betty Mohr has been published in the Chicago Sun-Times, The Chicago Tribune, The Australian, The Dramatist, the SouthtownStar, the Post Tribune, The Herald News, The Globe and Mail in Toronto, and other publications.