Crowning a jagged rise of ancient sandstone thrust up over the surrounding valley, this has been the site of a castle for many centuries. But its current, fantastical form—its glitter and swirls—has only occupied this prominent space for less than 200 years. Round towers and golden onion domes and a big clock ticking away below squared-away parapets, all of them competing for space atop Rocchetta Mattei, an impressive mishmash of architectural styles and inspirations.
Entering from below and following the curving cobblestone path into the castle, I arrived in a courtyard that was, once upon a time, resplendent with gardens, complete with a flowing fountain. All the surrounding symbols are about power—a harpy, a lion, even a balcony built especially for the pope, should he had ever chosen to visit, which he didn’t.
“The design, the artwork, the carvings, it was all to be magical, to ... surprise,” says my guide, Angela. “Imagine the excitement of coming here, and entering this magical world.”
Descended from industrial wealth and granted the title of “count” by Pope Pius IX, Cesare Mattei was a dynamic figure in the middle of the 19th century. Creator of “electrohomeopathy,” which he claimed could heal all sorts of ailments, his treatments attracted patients from across Europe, including nobles and princes from Bavaria, Russia, and the Italian Piedmont. Mattei’s healing powers are even cited in Dostoevsky’s “The Brothers Karamozov,” his last novel. On this fame, Mattei built his castle on a rock.
It’s just one revelation in a mountain chain that’s full of surprises. Forming a spine stretching 750 miles down the middle of the Italian Peninsula, the Apennines are often overlooked, seen as a second-fiddle attraction to the nearby Alps. Rolling south from the medium-sized city of Bologna—a surprisingly grand place, once a city-state and then the northern capital of the Papal States—the ground rises quickly from the plain of the Po River Valley. Small hills become soaring ridgelines, summits reaching above 6,000 feet, their sculpted flanks dappled by the sun.
Rocchetta Mattei
Right in the middle of the Bolognese Apennines, Mattei built his kingdom. Mercurial by nature, in his later years, the man holed up in a bedroom that could be reached only over a drawbridge, paranoid about potential threats. Around him, the castle rose. He built a hall of peace, “Pax” inscribed above the windows, with views out to the mountains.Mattei also constructed an imitation of the Alhambra, with four lion statues standing in place of 12. Plus, a chapel modeled on Cordoba.
“Everything in here is an illusion,” says another guide, Alice, as we stood in the latter. Intricate “metalwork” on the ceiling is actually painted-on, as are “mosaics” on the wall. There’s a forest of striped “stone” archways—many of which are actually built from wood—a knock revealed they’re hollow inside.
“All of this, it’s to create an esoteric fascination,” says Angela.
Abandoned for decades, the castle was recently restored and opened to the public. We lunched in a small restaurant about 10 minutes away, feasting on hearty local food like cinghiale, wild boar hunted locally and prepared in a stew with foraged ingredients such as rosemary and juniper berries. Temperatures get cold very quickly at high altitudes, and this is food that will last you through a gusty afternoon. It’s served with tigella, a stout, hardy bread roll, in this case, emblazoned with la rose sei petali, the flower of six petals, a traditional symbol of good luck.
After seeing a 700-year-old cypress tree that stretches higher than any of the town’s towers, we bumped into two men, visitors from Bologna. Angela had a staccato, rapid-fire conversation with them.
“They said they’ve lived in the city their whole life, but never knew about this place,” she said. “It’s their first visit here.”