Cropsey’s Ode to Autumn

Hudson River School painter Jasper Francis Cropsey is known by the sobriquet “America’s painter of autumn.”
Cropsey’s Ode to Autumn
"Autumn – On the Hudson River," 1860, by Jasper Francis Cropsey. Oil on canvas; 59 3/4 inches by 108 1/4 inches. National Gallery of Art, Washington. Public Domain
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The most American of seasons is autumn. The country is famous, particularly in the Northeast, for its spectacular foliage. Leaves turn hues worthy of an artist’s paintbox: bronze, crimson, golden, purplish, russet, tan, and scarlet. It was natural, therefore, that fall was a favorite subject of the Hudson River School, a 19th-century American art movement that specialized in landscapes.

Jasper Francis Cropsey (1823–1900) is known by the sobriquet “America’s painter of autumn.” He explored the theme of autumnal nature throughout his artistic career. Although not as well-known as his colleagues Thomas Cole and Frederic Edwin Church, his majestic landscapes were popular for much of his lifetime in the United States and England. Cropsey’s most ambitious painting is the poetic “Autumn – On the Hudson River,” now part of the collection of the National Gallery of Art.

Hudson River School Painter

Michelle Plastrik
Michelle Plastrik
Author
Michelle Plastrik is an art adviser living in New York City. She writes on a range of topics, including art history, the art market, museums, art fairs, and special exhibitions.