An Epic, Now Onstage
With a book and lyrics by Shaun McKenna and Matthew Warchus, the show runs a bit longer than three hours. This expansive and, at times, spectacular presentation is too lengthy. For the most part, it follows Tolkien’s story. It still features Frodo, a hobbit who has inherited a ring that can destroy the entire world. With eight friends, Frodo sets out on a quest to destroy the powerful ring and save Middle-earth from the evil Lord Saruman.
With a lavish set by talented Simon Kenny, dazzling lighting from Rory Beaton, inventive puppets created by designer Charlie Tymms, and lavish costuming by Janelle Smith, Chicago Shakespeare is transformed into a make-believe Middle-earth landscape where humans, elves, dwarfs, hobbits, wizard, and dark forces of evil abide.
At its core, “The Lord of the Rings” is a saga about finding the courage to fight evil, and staying hopeful in the midst of suffering. Although it’s a complex narrative, the book’s themes about the struggle of good versus evil, death, immortality, and the always-present danger of absolute power, come through with a spirited energy in the production.
Although Chicago Shakespeare’s stunning production is admirable, it’s curious that a “Lord of the Rings” musical was deemed a good idea. After all, the films of Tolkien’s three-part trilogy—“The Fellowship of the Ring” (2001), “The Two Towers,” (2002), and “The Return of the King” (2003)—are universally heralded as magical and unforgettable, and any new incarnation will always be measured against the films and found lacking.
Maybe the creative team believed a musical would enhance Tolkien’s fantasy. Unfortunately, the music isn’t memorable or big on melody and doesn’t add much to the show. A.R. Rahman, Christopher Nightingale, and Varttina’s work doesn’t advance the story or develop the characters. It’s not like the glorious music of another adaptation, “Les Miserable,” which was so sumptuous that it added to the show’s appeal. However, this production’s music isn’t its strong suit.
What does add to the show are the enchanting performances by two dozen terrific actors. Among the acting highlights are Spencer Davis Milford, charming and convincing as Frodo the hobbit. Milford does a fine job of projecting Frodo’s goodness and determination in searching for the ring, not to mention his devotion to saving Middle-earth. Rick Hall is charming as Frodo’s devoted and helpful uncle, and Jeff Parker is wonderfully menacing as the evil Lord Saruman.
Yet, the highlight performance is that of Tom Amandes, one of Chicago’s most compelling actors. He stands out as Gandalf, the wise advisor and mentor to Frodo. When he’s on stage, he lights up the show.
For those who have yet to read Tolkien’s classic, this stage version may be an interesting introduction to the fantasy world of Middle-earth. It may inspire attendees to pick up Tolkien’s work. Those familiar with the books and the movies may find the musical version less satisfying than the films. Indeed, maybe the best way to understand and enjoy “The Lord of the Rings” is to crack open the novel and experience Tolkien’s masterpiece firsthand.
