NR | 1h 30m | Action, Adventure, Drama | 1953
Desperate Situations
“Blowing Wild” opens to wildcatters Jeff Dawson (Cooper) and Dutch Peterson (Bond) as they attempt to strike it rich with an oil well in a region notorious for bandit activity. Bandits do indeed discover their oil rig and proceed to rob them of what little valuables they possess, having invested all their resources into the well. Adding insult to injury, the bandits hurl lit sticks of dynamite at the rig, destroying it entirely.Jeff and Dutch return to town, clean up by splashing water on themselves from a public pool, and head to an employment agency. Work opportunities are scarce, leaving the two men in a dire situation.
To make ends meet, Jeff agrees to a perilous job transporting nitroglycerin in a rickety old truck for a shady character named Jackson (Ian MacDonald). That evening, Dutch, driven by hunger and frustration, attempts to rob a well-dressed man in a dark alley. But when Jeff intervenes, they both realize the would-be victim is their old friend, Ward “Paco” Conway (Quinn).
Great Cast Brings Depth
“Blowing Wild” boasts an impressive cast with Stanwyck, Cooper, Ruth Roman, and Quinn bringing star power and talent to this melodramatic tale of love, betrayal, and ambition.Stanwyck and Cooper share a charged chemistry from the moment their characters appear on screen together. The tension between them is palpable, hinting at a complicated past that unfolds as the movie progresses.
Stanwyck’s portrayal of Marina is especially compelling. She’s as poisonous and predatory as a black widow, determined to reclaim Jeff, not necessarily because she still loves him, but because he no longer seems to want her. This dynamic is fascinating to watch, with Stanwyck skillfully embodying the role of a scheming, relentless woman. Jeff is fully aware of the danger Marina poses, so much so that he considers hauling nitroglycerin across treacherous terrain while being chased and shot at by bandits to be a safer bet than rekindling their relationship.
Quinn shines as the happy-go-lucky Paco; he seems optimistic about life and remains blissfully unaware of the romantic tension between his wife and his old friend. He brings the character to life with flair, despite Paco’s marital issues. There are even a few lighter moments, including a memorable race between Quinn in a car and Stanwyck on horseback.
While this movie may not rank among the greatest films of Stanwyck or Cooper’s careers, it’s good entertainment. This well-paced melodrama is enriched by strong performances and beautiful scenery. Watching Stanwyck’s Marina plot and scheme is a particular delight, and the film’s exploration of heightened emotions, as suggested by its title, keeps the audience engaged.