An American Classic: The Republic’s 1st Statehouse
In this installment of ‘Larger Than Life: Architecture Through the Ages,’ we visit the Virginia state Capitol, America’s first Neoclassical public building.
Since 1788, representatives have met in the Virginia state Capitol, in Richmond, making it the oldest English-speaking representative assembly in the country.
Much American history has been and continues to be made at the Capitol. In December 1791, for instance, the assembly ratified the U.S. Bill of Rights. And between 1861 and 1865, it was the Confederate Capitol, from which Robert E. Lee commanded Virginia forces and where Jefferson Davis was inaugurated as Confederate president.
Set atop Shockoe Hill in Richmond, Virginia, the majestic Capitol was the first public building in the New World to be based on a classical temple, and the first Neoclassical public building in America.
Thomas Jefferson and French architect Charles-Louis Clérisseau designed the building based on Maison Carrée, an ancient Roman temple in Nîmes, in the south of France. In their design, they replaced the ancient temple’s Corinthian columns and pilasters (columns integrated into the wall) with the simpler, but no less elegant, Ionic equivalent, which were far easier for local craftsmen to recreate. Doric pilasters, the oldest classical order, frame the first floor windows. Inside, the Capitol’s architects mirrored the interior plan of colonial Williamsburg’s Capitol.
Construction of the brick and stucco Capitol began in 1785 and was completed in 1798. Between 1904 and 1906, the east and west wings were built for the House of Delegates and the Senate Chamber, respectively. They flank Jefferson’s original building and reflect the original Capitol’s classical style.
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Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.