As Caldara wrote around 350 secular cantatas, you cannot help feeling that there is still a lot of work to be done in the archives.
These are all continuo cantatas, for voice accompanied by keyboard, cello, and theorbo—intimate works designed to be performed in relatively intimate surroundings.
Only two of the cantatas fit into the popular Arcadian pastoral genre often used in cantatas. The others identify the bass soloist with a powerful mythological or heroic historic figure: Darius, Polyphemus, Samson, and Brutus. We can see a parallel with cantatas by composers such as Handel, where the subjects tend to be either pastoral or a protagonist (usually female) under great emotional stress.
The result is a series of highly imaginative works, which gives the singer opportunities to exhibit a whole variety of emotions. And Caldara’s responses to the texts are highly interesting, with “Bruto a' Romani” being almost a set of political speeches using a lot of arioso elements, that is, vocal music that is more melodic than recitative but is less formal than an aria.
And again in “Il Polifemo,” Caldara uses a lot of arioso in the mix. These cantatas give us the flavor of a very particular composer, and it would be lovely to hear a greater selection of his works.
While they are classified as being for the bass voice, some of them sound quite baritonal in quality. Sergio Foresti has an interesting and rather grainy-textured voice that is highly expressive but which doesn’t seem to quite capture the full range of the music. Listening to the whole disc is not ideal, but dipping in and sampling a single cantata is a great experience.
Foresti is well-supported by the players from Stile Galante.
This is a very important and very welcome disc. If perhaps it is not quite ideal, then it is still a valuable contribution to the slowly expanding Caldara repertoire on disc.