‘Adventures With Iggy and Mr. Kirk’: A Series to Teach Good Values

Television celebrity Kirk Cameron produces a show to counter progressive children’s shows.
‘Adventures With Iggy and Mr. Kirk’: A Series to Teach Good Values
(L–R) Alexis Tonkin, John Kennedy, and Kirk Cameron on the set of “Adventures with Iggy and Mr. Kirk.” Brave Books
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G | 22min per episode | children | 2024

The new show “Adventures With Iggy and Mr. Kirk” aims to replace sexualized TV and streaming content aimed at children with entertaining content that’s truthful, uplifting, and founded on traditional family values. Parents who want their children to be upright teens and adults know the devastating effects of harmful content. Worryingly, they’re running out of wholesome alternatives. So, this series feels like a refreshing pushback against the ongoing war on children.
Filmed in Texas with support from the governor and the Texas Film Commission, this is the first TV series from publishing house Brave Books. It’s partly a feature format, centering on a human protagonist, Mr. Kirk (Kirk Cameron, also producer). It’s also a puppet show, featuring puppet characters Iggy the Iguana (John Kennedy, also additional puppeteer) and Culture the Vulture (Rickey Boyd, also art director); it’s part animation, too. MAPLE, a treehouse computer, helps other characters make narrative leaps that would’ve otherwise made episodes too long for kids.

Each episode depicts a supportive parental figure, Mr. Kirk, gently but firmly offering life lessons to a naive, curious, and occasionally willful puppet iguana named Iggy, whom he looks after like a child rather than as a pet. Each episode draws on biblical truths from Brave Books’ Freedom Island book series, one book at a time.

Freedom Island Series

In Episode 1, Iggy aims to get even with the squirrel Carlos for betraying a secret of his to troublemaker Culture the Vulture. But Mr. Kirk explains that forgiveness is always better than revenge.

In Episode 2, low on self-esteem, Iggy falls for Culture’s lie. Culture says that as an iguana, Iggy isn’t loved by the human Mr. Kirk. Culture wants Iggy to change his identity and turn into a human to be better accepted.

Iggy adopts a new persona, “Chad,” hoping to now appear as “cool” as he imagines human children are. But Mr. Kirk misses his iguana. Why isn’t Iggy happy being what he was created to be? Concerned, he reads to Iggy from a Brave Books publication, “Elephants Are Not Birds.” Iggy realizes that he doesn’t need to become someone else to be loved; he already is someone, and he’s loved for being just that. David Vest’s closing song is touching.

The ideal audience is children aged 4 to 12, matching the ages of Brave Books readers. Once they’ve run through a few episodes, kids may learn to sing along to Jeffrey Steele’s theme song. The original score is by Kurt Heinecke. In the animated depiction of the book that Mr. Kirk reads in Episode 2, characters use rhymes to converse; parents and teachers might use some of them to liven up their chats with children. Cameron, a champion of faith-based media, brings warmth to his role.
(L–R) Alexis Tonkin, John Kennedy, and Kirk Cameron on the set of “Adventures With Iggy and Mr. Kirk.” (Brave Books)
(L–R) Alexis Tonkin, John Kennedy, and Kirk Cameron on the set of “Adventures With Iggy and Mr. Kirk.” Brave Books

Scene choreography here sometimes lacks subtlety. In Episode 2, a child suddenly pops up unexplained on MAPLE’s screen with a question (like on a game show) and Mr. Kirk answers. Or a prayer appears too abruptly in dialogue, complete with biblical tone. Screenwriters might weave these in less jarringly; currently they distract from the otherwise sincere storytelling.

Still, this is a brave effort. Such shows needn’t have all the answers. Sometimes they just need to ask the right questions, provoke the right thoughts, or be conversation starters for guided discussion at homes, in schools, or churches.

Many shows normalize a world where children can’t do without smartphones or video games and are bombarded by audiovisual cues so that they can’t distinguish real from unreal. This show breaks that mold.

“Adventures With Iggy and Mr. Kirk” normalizes books and a reading habit, especially those suggested by caring adults, not merely authority figures peddling dangerous sociocultural propaganda.

There’s also a visual hierarchy. To Mr. Kirk, everyone makes mistakes, except God. God is truth. He is most real and most universal. After God, it’s mature, caring human characters who are most real; they’re conscientious interpreters of God’s truth.

Puppets may cast lively shadows, but they only look real. Tech screens, like MAPLE, may conjure lifelike images, but they’re unreal, too. They are dependent on humans to process understanding from facts or knowledge, and meaning from experience. Children needn’t be conscious of this, but parents and teachers must. Subconsciously, this structure helps children embrace a more truthful hierarchy of action and consequence: God first, humans next, and everything else lower down.

Eyes are windows to the soul. What children watch influences what they think, feel, remember, fear, laugh at, respect, imagine, and dream about. This is the same for adults. But in their innocence, children imitate what they see as part of learning through trial and error. What they watch influences what they’ll try out. Parents who want their children watching clean, edifying entertainment ought to welcome, support, and even help improve shows like this one.
Poster for "Adventures With Iggy and Mr. Kirk." (Brave Books)
Poster for "Adventures With Iggy and Mr. Kirk." Brave Books
‘Adventures with Iggy & Mr. Kirk’ Director: Andrew Kilzer Starring: Kirk Cameron, John Kennedy, Rickey Boyd Running Time: 10 episodes Release Date: Nov. 18, 2024 Rated: 3 stars out of 5
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Rudolph Lambert Fernandez
Rudolph Lambert Fernandez
Author
Rudolph Lambert Fernandez is an independent writer who writes on pop culture.