One of the greatest joys of travel is happenstance, and for several years now the pandemic has robbed us of such foreign joys. Many artisans reliant on tourists and in-person visits have suffered financially because of endless lockdowns.
For instance, the UK-based Heritage Crafts Association found that the stress of running a business during a pandemic has meant that some skilled craftspeople have decided to take early retirement. Of the artisans still in business, many have had to create new sources of revenue due to the lockdowns and the loss of traditional sources of income, and so online marketing (such as the number of online tutorials showing crafts) has increased.
Now that lockdown restrictions are easing throughout the world, long-haul travel may be back in our schedules or future plans, with many people eager to experience fine European arts and craftsmanship in-person once again.
The Homo Faber Guide
For those wanting to support, appreciate, and purchase European fine craftsmanship from afar, there’s the Homo Faber Guide, an online directory run by the Michelangelo Foundation.The Michelangelo Foundation is a Geneva-based, international, nonprofit organization set up to celebrate and preserve master craftsmanship around the world. Initially focusing its work on Europe, the organization aims to reinforce fine workmanship’s connection with design.
The Homo Faber Guide is fairly self-explanatory. For example, when you click on the “Visit” tab, the search box subject greets you with “Visit fine collections.” Any search item you enter here takes you to a selection of shops, galleries, and museums.
A useful and somewhat unique tool for tourists and locals alike is the guide’s “Ambassadors” tab, where leading curators, designers, and gallerists handpick their favorite local artisans and tell you why they’re great.
The guide’s “Itineraries” tab suggests exemplary artisans in specific areas. For example, the guide highlights nine artisans on Bornholm, an island near Denmark and Germany, renowned for its crafts.
In the Arts and Culture section of The Epoch Times, we focus on fine craftsmanship that stays true to tradition, and particularly on artisans who use hand tools and skills.
Weaving Cloth in Malta
For thousands of years, weaving with cotton and sheep’s wool has been a necessity for many on the Mediterranean island of Malta. Nearly every Maltese family once owned a loom to weave clothing and bedding. Many relied on the tradition to survive. The men planted and harvested the cotton, the children helped wash it, and the women transformed the raw cotton into cloth.
Alda Bugeja is one of the few weavers on the island who still practices Malta’s ancient weaving tradition. Walk into her workshop and she might be hand-spinning sheep’s wool, preparing her wooden loom for weaving, or working at her loom, just as her mother and older sisters did before her.
Casting Bells in Slovakia
Typically, bell founding—the casting of bells for clocks, churches, and public buildings—is a craft passed from father to son. Robert Sliz, having no bellfounder in his family, decided to teach himself.
Sliz’s grandfather maintained the bells in his local municipality, and Sliz’s love of bells grew from seeing a church belfry when he was just 12 years old. At age 15, he set about making his first bell. His father helped him build a small workshop where he set about making molds as his medieval ancestors once had, from a mixture of clay and other natural materials such as straw and horse manure. It took him three years of experimenting with the mixture to ensure that the molds wouldn’t crack.
Carving ‘Lace’ in Belgium
Wood and lace couldn’t be more different: wood being hard and solid, and lace being soft and delicate. Yet Belgian woodcarver Julien Feller successfully carves wood into “lace.”
Besides woodcarvers, Feller is inspired by Italian Renaissance artists, and he endeavors to apply their disciplined approach to his own work.
Naturally, he’s also inspired by contemporary lacemakers. His 2018 masterpiece is based on Brussels lace, but recent works include a fantastical piece of lacework embellished with gold and silver leaf.
Crafts like these connect us to our heritage. Many traditional crafts have survived for centuries because they were once vital to our ancestors’ survival. Artisans were valued; they made everything by hand, from clothes to bedding to furniture and houses. Mechanization has largely converted crafts from utility products to luxury items. Heritage crafts can continue only because of our guardianship.
An online craft guide is, of course, a poor second to an in-person workshop visit, but it’s often a lifeline for lone or small artisans whose rich offerings we might never otherwise happen upon.
