Poetry puts us in touch with the wisdom of the past. One of those pieces of bygone wisdom is the importance of exposing children to good poetry. There was a time when every child studied and even memorized classic poems. It was an essential part of education.
Little William Shakespeare at the King’s New School in Stratford-Upon-Avon studied the poetry of the pillars of civilization, the Roman poets. Arguably, without that steeping in Virgil, Ovid, Horace, and the like, his own poetic genius would never have flowered.
From the days of the ancients themselves until recently, such poetical formation for children was considered non-negotiable. Poetry is food for the soul, and a child who grows up without exposure to it may wither and waste away spiritually.
C.S. Lewis explains in “The Abolition of Man” that the healthy emotional development facilitated by poetry and other art forms ensures that our young men and women have big hearts, a goal of education that ought to stand side-by-side with fostering intelligence and knowledge. A lack of such artistic nourishment results in “men without chests,” to use Lewis’s term, human beings whose hearts have been stunted in their growth. Their eyes have not been opened to the sacred song of reality surrounding us, and their emotions are not tuned to that song.
The benefits for children of reading and, especially, memorizing poetry extend to all aspects of the human person. Working to memorize a poem sharpens a child’s memory and teaches them how to memorize, a skill quickly dissolving in an age in which Google offers the temptation of an electronic memory to store all one’s knowledge. Reciting poetry improves self-confidence and poise as a public speaker, offering an opportunity for children to learn about eye contact, posture, gestures, pauses, dynamics, and cadences in the voice, the rhythm and beauty of language, and the rhythm of the body.
Finally, perhaps most importantly, memorizing poetry improves character and provides emotional training. Good poems teach children to notice things as a poet does, with an appreciative eye, and attune them to the recesses of beauty that surround us and the noble sentiments they ought to inspire. All this beauty can become part of the child, particularly if they memorize the poem, for when they memorize it, it enters into the body, can be tasted on the tongue, can be felt in muscle memory, and heard on the breeze. It becomes part of them.
1. ‘Paul Revere’s Ride’ by Henry Wadsworth Longfellow
“Listen, my children, and you shall hearOf the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year ...”
2. ‘A Good Play’ by Robert Louis Stevenson
“We built a ship upon the stairs All made of the back-bedroom chairs, And filled it full of sofa pillows To go a-sailing on the billows ...”This little poem describes the imaginary adventures of two brothers who have created a “ship” out of furniture. In a few lilting lines, it celebrates wholesome play, brotherhood, and the joy of the imagination.
3. ‘The Brook’ by Alfred, Lord Tennyson
“I come from haunts of coot and hern, I make a sudden sally, And sparkle out among the fern, To bicker down a valley ...”4. ‘The Kitten at Play’ by William Wordsworth
“See the kitten on the wall, Sporting with the leaves that fall, Withered leaves, one, two and three Falling from the elder tree...”5. ’Stopping by Woods on a Snowy Evening’ by Robert Frost
“Whose woods these are I think I know.His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow...”
Although some of the poems on this list are written specifically for children, others, such as this one, are not. It’s important to expose children to more advanced poetry early on. They need not understand all of it in order to enjoy it, nor do they need to be able to enter into deep analysis of theme and form. They will sense the mystery and beauty, and that is enough. By exposing children to poems that are a little beyond them, you will encourage them to grow and pique their curiosity about what undiscovered poetic realms lie in their future. We shouldn’t underestimate young readers and what they may be capable of.
“Stopping by Woods on a Snowy Evening” is a good transitional poem into adult poetry. It is simple, rhythmic, and easy to understand, but also contains deeper themes—such as the recesses of the forest itself—that go beyond the simplicity of some of the other poems in this list.
The closing lines of the poem have haunted me—in a good way—ever since I read them as a child: “But I have promises to keep, / And miles to go before I sleep, / And miles to go before I sleep.”