SHEN YUN PERFORMING ARTS REVIEWS

The Way Shen Yun Presented Traditional Chinese Culture Was Beautiful, Says Texas Theatergoer

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The Way Shen Yun Presented Traditional Chinese Culture Was Beautiful, Says Texas Theatergoer
Randa Jesko (2nd R) and her friends enjoyed Shen Yun's evening performance at the Amarillo Civic Center on Jan. 7, 2025. Sonia Wu/The Epoch Times

AMARILLO, Texas—Randa Jesko, an Assistant Director at United Way, was deeply inspired by the beauty and elegance of the classical Chinese dance showcased during Shen Yun’s performance at the Amarillo Civic Center on Jan. 7.

Accompanying her for the evening were Jamie Vaughan, a business administrator, and Judy Underhill. The three friends drove two hours from New Mexico just to attend the show.

“I thought [Shen Yun] was great. The language is beautiful and the dance was beautiful,” Ms. Jesko said, adding that though she doesn’t know too much about traditional Chinese culture, “the way that it was presented was beautiful.”

Shen Yun Performing Arts was founded by a group of leading Chinese artists who had fled the persecution of China’s ruling communist party. In the decades since the regime’s violent takeover, Chinese traditional culture was forced to the brink of destruction.

Now, in the safety of America, these New York-based artists are determined to bring China’s 5,000 years of divinely inspired culture back to life and share with everyone the beauty of China before communism.

Ms. Underhill, too, thought everything was beautiful. “The costuming was vibrant and fluid—the effects were really good, and the dancing was precise. It was well choreographed and executed,” she said.

“I loved the acrobatics, and the colors are so vibrant—there’s just so much going on. The backdrop and the orchestra, their timing was so perfect with everything. It was great.”

According to the company website, Shen Yun’s patented 3D digital technology works together with the performers to “extend the stage to infinite realms” and brings to its audience “storytelling without limits.”

Referring to Shen Yun’s story-based dances raising awareness about human rights issues in modern-day China, Ms. Underhill said, “It was beautiful, it was excellent, it was emotional.”
“I’ve been reading a lot of the people [of faith] in China and the torture that they endured—I just feel for them. We live in this land of liberty, and people over there [are suffering] but have such great faith—I just felt connected with that.”
Ms. Vaughan chimed in, sharing that she also loved the storyline dances. She particularly enjoyed the comedic dance about a restaurant owner standing up to protect a young lady who was being bullied by rude customers.

“They carried a lot of content in it. It was funny at times and dramatic at times—it was great. A great show.”

Moreover, Ms. Vaughan appreciated the solo performance by the erhu—an ancient Chinese instrument that is reminiscent of the human voice. Though it only has two strings, it is capable of expressing a wide range of emotions.

“It stirred something in your soul. That instrument really just gets very deep into a person’s spirit—it’s very surprising,” she said. “It’s a beautiful instrument, and [the musician] was expert at it. It was wonderful.”

Established in 2006, Shen Yun has grown rapidly from one to eight equally sized companies. This year, its artists are set to tour over 200 cities across five continents. With a brand-new program each year, Shen Yun is set to delight both new and returning audiences alike.

Reporting by Sonia Wu and Jennifer Tseng.
The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
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