TIFF

“Legend” is the kind of film that leaves one wondering what exactly cinema should aim for.

“Last Cab to Darwin” is a masterfully written and expertly directed film that shows due care for what would be left in the hearts and minds of those who see it.

Jafar Panahi’s Taxi speaks truth to film projector, and it is done with skill and alacrity.

“Demolition” is the second of two films at the Toronto International Film Festival with a strong Canadian connection, A-list talent, and a story that begins with a car crash and burns with loss.

“An” is a Japanese subtitled film about making pancakes. It’s one of those slightly artsy films that find their audience at film festivals with people who want movies that mean more than your average Hollywood fare.

“Every Thing Will Be Fine” is not a film for Hollywood and the Cineplex masses. For much of its two hours, it is understated to a fault.

Tibetan-Canadians are outraged that the Toronto Star has partnered with a propaganda show put on by the Chinese regime that whitewashes crimes in Tibet.

In “Still Alice,” Julianne Moore has rightfully sparked Oscar buzz with her subtle—and at times heartbreaking—portrayal of Columbia University linguistics professor Dr. Alice Howland.

It’s his biggest movie yet, with an A-list cast that includes Dustin Hoffman, Josh Lucas, and Kathy Bates, but Canadian director François Girard will likely only watch it once.

Alan Rickman and Kate Winslet take to the red carpet at the Toronto International Film Festival where “ A Little Chaos,” Rickman’s second feature film as director, closed out the festival.

Telling the story behind the heartache in Iraq and Iran is where the power of film and the true potential of the Toronto International Film Festival reveal itself.

They bring the energy and excitement that makes “celebrity” mean something, but superfans rarely get any credit for their sacrifice. Many people wonder if they’re mentally sound.