“Molly’s Game” is a redemption song about the slippery (ski) slope, the easy wrong versus the difficult right, and after arriving at the bottom of a moral mogul-run, discovering that the chairlift of truthfulness and integrity will get you back up the mountain.
No, it’s not a ski movie. It’s about erstwhile Olympic mogul skier Molly Bloom (Jessica Chastain), whose boot exited her binding on an aerial ramp, resulting in a near-fatal crash and shattering her Olympic dreams. She goes on to run two of the most lucrative underground poker games, ever, eventually running afoul of two different types of mafia, plus the FBI.
Chemistry
After the backstory of the overbearing dad and ski coach (Kevin Costner), we fast-forward to Molly getting cuffed by the FBI. She’d felt a need to eventually become a lawyer, but her dark-side detour results, instead, in a need to retain a lawyer.Cue razor-sharp attorney Charlie Jaffey (Idris Elba). Charlie plays hard to get; he doesn’t want her messy legal situation, but Molly’s a go-getter and a formidable man-manipulator. Her extreme due diligence and man’s-world savvy prove too much for Jaffey to resist. He perceives in her an untrained, ultratalented member of his own elite lawyer tribe, and he desires to fix the broken wing and teach the brilliant student.
Trial Prep
Their trial preparation flashes back to Molly’s post-Olympic gofer-secretary phase, and then to her eventual infiltration of the rarified world of backroom poker-table millionaires, providing psych profiles of this cutthroat card crew.“Player X” (Michael Cera) is a movie star who enjoys ruining people’s lives with his superior skills. He’s apparently a mash-up of at least two well-known Hollywood players at Molly’s table.
However, while it’s a distinctively non-knightly roundtable of masculine power, the real power here is the behind-the-scenes feminine version. It’s the yin-trumps-yang version; that is, Molly and her all-female hostess-waitress-dealer crew, hiding in plain sight, with feigned gratitude for massive tips, sham submissive posturing, and calculated conning of macho-man windbaggery with lipstick, cleavage, and flattery. It’s Molly’s game, after all.
Too Long but You Won’t Care
Aaron Sorkin (“The Social Network,” “Moneyball”) wrote “Molly,” and it’s also his directorial debut. But while the movie’s definitely too long, it moves at a crackling pace due to Sorkin’s rapid-fire script, the card table tension, and especially the tension between Molly and Jaffey.Jaffey needs all the details of Molly’s life to keep her out of the slammer, but by now she’s got a poker-faced inscrutability running in her veins like life’s blood, and makes him work for every revelation. It’s like watching a master fly fisherman working a huge, uncommonly tricky trout that needs catching, for it’s own good, before the river gets poisoned.
Daddy Issues
After a couple of Appletini-ordering Mafia goombas offer Molly “protection” that she breezily dismisses, along with the predictable, devastating follow-up that she should have seen coming, her dad, the psychologist, circles back into her life.The Best Part
The best thing about the movie is that Aaron Sorkin, like his contemporary David Mamet, has a unique dialogue style that not all actors are capable of rendering realistically. Jessica Chastain and Idris Elba are the Sorkin version of Alec Baldwin, Al Pacino, Ed Harris, et al., knocking Mamet’s “Glengarry Glen Ross” out of the park.This one you’ll take home with you, and you'll examine your life for possible ancestral sins that conspired to throw your life off track. “Molly’s Game” features 2018’s best monologue by an actor in a major motion picture (Idris Elba, defending Molly’s morals in a backroom-deal scene with the FBI). It has lots in common with at least two other great voiceover-heavy, illicit-gambling movies (“Rounders,” “Casino”) and will rivet you from start gate to finish line.