SHEN YUN PERFORMING ARTS REVIEWS

‘You Feel Like You’re in Heaven’: Viennese Artists Laud Shen Yun

SHARE
‘You Feel Like You’re in Heaven’: Viennese Artists Laud Shen Yun
Peter and Daria Benovic enjoyed Shen Yun at the Vienna Stadthalle on Jan. 23, 3035. Haiying Wang/The Epoch Times

VIENNA—It is a special moment when the curtain rises on a performance that is presented simultaneously by eight ensembles around the world. The audience can expect perfect aesthetics and dance technique as well as an orchestra that fuses Eastern and Western sound worlds. Every year, all of this is centered around stories from a 5,000-year-old civilization that are to be rediscovered.

Every viewer takes up a different aspect of this total work of art made up of visual and performing arts, giving him or her his or her own personal access to this very special performance. We have captured a few of these impressions for you. With each description, like a puzzle, the diversity and significance of New York-based Shen Yun Performing Arts, the world’s premier classical Chinese dance company, becomes clear.

On the afternoon of Jan. 23, Shen Yun gave its first performance in German-speaking countries as part of the 2025 world tour. In the Vienna Stadthalle, the audience experienced an evening full of beauty and hope.

Peter Benovic, a classical guitar teacher from Lower Austria, summed up his impression of Shen Yun with a quote from Dostoyevsky: “Beauty will save the world.” He is convinced that people must absorb the beauty in music, dance, and the visual arts. Only then will there be hope, or salvation, for the world.

Therefore, it is a matter of course for him and his wife Daria to recommend a visit to Shen Yun to everyone. He found the solo performed by the erhu virtuoso very emotional and particularly interesting. Mr. Benovic plays the baroque viola da gamba himself and saw some similarities to the bowing of the two-stringed, 4,000-year-old erhu.

The piece, original to Shen Yun, was characteristic of Chinese music but new to European ears, according to Mr. Benovic.

A story-based dance set in present-day China that shone a light on the communist regime’s persecution of people of faith also rang familiar to the Benovics.

Having fled Czechoslovakia around 35 years ago, they know what it means to live under communist rule.

“I think that people who have not experienced this totalitarian system [...] cannot feel it like we do, or like the Chinese who live in China,” Mr. Benovic said. Mrs. Benovic’s father was imprisoned for eight years, and her uncle for 11 years.

Mrs. Benovic added that she appreciates the splendor of Shen Yun’s colors and unique use of color combinations.

“The interplay of colors, this pink and light green, was unique. And what I liked so much [was] the images on the screen. Pink or pink trees were constantly blossoming, which was very beautiful. Impressive,” she said.

Also in the audience was Anna Rolinek, formerly a dancer at the Vienna State Opera, who said she values cultural traditions and was pleased to have learned so much valuable information about traditional Chinese culture. She had traveled from Burgenland especially for this evening, a total of 400 km. Her companion, a school friend, had told her about Shen Yun.

Having performed professionally herself, she naturally paid particular attention to the technique of the Shen Yun dancers.

“Wonderful, wonderful. So precise—really something beautiful,” Ms. Rolinek said.

The music moved Ms. Rolinek as well, and she spoke highly of a song sung by a bel canto virtuoso that spoke of traditional values and faith in contrast to modern atheism.

“It’s something very calm and very true—very true. You don’t have to be religious, there’s truth in it,” she said.

The erhu was something special, too. “It’s really beautiful, you feel like you’re in heaven,” she said.

The two women said they would like to be there again next year when Shen Yun presents a new program.

For cameraman and filmmaker Helmut Deimel, who has been looking forward to the performance for a long time, the first thing that caught his eye was the “combination [of the dance] with the video image in the background” developed by Shen Yun.

“It’s done really well, very well,” he said.

He is not surprised that Shen Yun is not allowed to perform in its own country. But he finds it an incredible shame. “This country has so much to offer, especially the different cultures,” he said.

Reporting by Haiying Wang and Silke Ohlert.
The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
Related Topics
SHARE