“Oh my gosh, I thought I was going to cry,” said Ms. Fong after seeing a performance at Zellerbach Hall on Jan. 10.
New York-based Shen Yun is the world’s premier classical Chinese dance company, with a mission to share with audiences, through the arts, a China before communism.
It’s a belief Ms. Fong is familiar with and one close to her heart. Seeing the glittering scene from heaven, she thought, “That’s exactly what I feel.”
“That first scene is where we’re from, where I’m from,” she said.
“The message I got from the show was that we are from heaven, and so we have to remember what heavenly beings do, what heavenly beings are like—they’re kind, they’re compassionate,” Ms. Fong said. They don’t hurt others or do evil, she added, and the performance was a call to “remember our true nature.”
Traditional Chinese culture is indeed a spiritual one, once considered to be divinely inspired. For millennia, the ancient Chinese drew from Buddhism, Taoism, and Confucianism morals and principles that guided society. Civilization was centered on the idea of harmony between heaven, earth, and humankind—something Ms. Fong felt was subtly present in Shen Yun’s performance.
“That’s what I liked, the spiritual part. I believe that, too, that we are from the divine,” she said. “I also think it’s very important ... that humans should live in harmony with nature.”
It’s a China that was once nearly lost, but Ms. Fong believed the arts, such as what Shen Yun has accomplished, could spur a renaissance.
Ms. Fong said that seeing Shen Yun was an “experience of something supernatural.”
“The divine is supernatural. Above the physical, dense body,” she said. Even the dancers themselves seemed a touch supernatural, she added. “We cannot do these things that they can do! I can’t fly the way they can fly.”