“I was a ballerina teacher when I was young, so I appreciate it when I see the people on stage,” she said.

Ms. Marson said she liked the intricacies of the dances and the extensive training reflected in the dancers’ movements.

She added that the choreography was superbly “light,” accentuated by complicated jumps.

“I feel something on my tiptoes,” she said. “I think they’re great. They are very lucky to be able to perform all around the world. They’re very gracious. A lot of history and novelty.”

“The orchestra is good, amazing. And the singer, he has such a nice voice. Opera,” Ms. Marson said. “[The lyrics] have a message.”

The opening scene, as the curtain rises, shows the Creator imparting culture to mankind, who also wait for salvation. The setting is a magnificent display of a heavenly kingdom.

“I’m a Christian, so it’s always nice to remember that we are just people, and there is something up there, which is marvelous. I wouldn’t say it’s like seeing paradise, but it’s a symbol. We are both human and celestial. It’s the same in the world,” Ms. Marson said.

“I remember that there’s been a lot of people killed [for] what they believe in China,” she said.

“Years ago, I went to China, and we were not allowed to go where we wanted to go. We were with a group of tourists. There was a spy in front of the group and a spy at the back. If you wanted to go [somewhere on your own], they very nicely put the tourists back [in the group]. I understand that these young people [in Shen Yun] are a reflection of the liberties and freedom that we deserve. [This is for] all people on earth.”

“The screen, it’s amazing. I wasn’t expecting something like that. The image blends so well with the dancers. Tip-top! It’s perfection,” she said.

Ms. Marson waxed poetic when she said how Shen Yun inspired her.

“What I’ve seen is like a long river—fluid. It’s like spring and joy and peace among people. And liberty of expression.”