“As Westerners, it really touches our heart, and gives us access to the Chinese culture,” said Jean-Max Brison at the end of the Shen Yun performance, at the Corum of Montpellier on Wednesday, March 11, 2020.
‘There’s really a powerful soulful energy underlying everything’
At the end of the performance, the company director was full of praise for the symphony orchestra accompanying the dancers in a harmonious blend of Western instruments and traditional Chinese instruments such as the erhu or pipa.“It’s a very beautiful show, with multiple scenes! There’s really a powerful soulful energy underlying everything,” continued the company director with emotion.
Taken by the beauty of the choreography, where the female dancers’ grace and lightness only compete with the strength and vigor of their male counterparts, Jean-Max Brison was also sensitive to the spiritual dimension of the show.
“It speaks to me, although I personally am an atheist, I always respect other people’s opinion. In any case, as in many religions, we can feel the beautiful values! That’s the main thing. And there is a lot of commitment behind it,” said Brison.
‘The dancers are great, the music is great too, it’s a beautiful combination!’
If the teachings given at the Fei Tian Academy of Arts of in New York allow the artists to foster an extraordinary ease and their impeccable technical skills, they are also keen to revive the 5,000 years of traditional Chinese culture and to perpetuate the unbreakable link between art and the divine that enabled the Middle Kingdom to reach its apogee.For Brison, this rang true. “It’s a very lively and at the same time very peaceful, lots of serenity, of warmth—it’s a peculiar feeling,” says Brison.
“I discovered that this company was multifaceted, seven companies in the world, I didn’t know that! What a powerful energy! The dancers are great, the music too, it’s a beautiful ensemble!” he added.
It was an unforgettable experience that the sexagenarian recommends wholeheartedly: “A very beautiful show, very, very different from what we usually see!” enthusiastically concluded Jean-Max Brison.