The early history of resuscitation was in many ways also the stuff of drama. On June 1, 1782, for example, a Philadelphia newspaper carried news of the latest resuscitative miracle: A 5-year-old child had been restored to life after drowning in the Delaware River.
Little Rowland Oliver was playing on one of the busy wharves that industrialization had brought to Delaware’s banks when he tumbled into the water. He struggled for 10 minutes, then went limp. Finally, a worker fished him out and carried him home.
Although Rowland was delivered lifeless to his family, the paper reported that his parents recognized he was only “apparently dead.” This energized them into action. They “stripped off all his clothes immediately, slapped him with their hands” and “rubbed him with woollen cloths dipped in spirits.”
Humane Societies
This account was but one of many stories of resuscitative success seeded into the newspapers by the period’s newly minted humane societies. These societies had originated in mid-18th-century Amsterdam, where an increasing number of people were drowning in the city’s canals. The societies sought to educate the public that death—at least by drowning—wasn’t absolute and that passersby had the power to keep the apparently dead from joining the actually dead.In Philadelphia, Rowland’s resurrection gave credence to these ideas, inspiring the local humane society to install along the city’s rivers kits containing medicines, tools, and instructions to revive the drowned.
Methods changed over time, but well into the 19th century, resuscitative efforts were understood to require the stimulation of the body back into mechanical action. Humane societies often recommended warming up the drowning victim and attempting artificial breathing. Whatever the method, most important was jumpstarting the body-machine back to function.
A New Locus of Stimulation
Methods also changed. Resuscitative efforts now focused increasingly on stimulating the heart. This might involve manipulating an apparently dead body into a variety of positions. Chest compressions and artificial respiration techniques became increasingly common, too.But even as techniques shifted, resuscitation retained its democratic bent—almost anyone could undertake it. Its applications, however, remained specific to certain circumstances. After all, only a limited number of situations could render someone apparently dead.
In the mid-20th century, these two consistent themes began to give way. Resuscitation increasingly gained a reputation as a miraculous and widespread treatment for all kinds of death. And the people who could perform these treatments narrowed to medical or emergency practitioners only. There were many reasons for this shift, but a critical precipitating event was the recognition of a new set of causes of apparent death: accidents of surgery.
Beck viewed his early successes in the operating theatre as an indication of the more widespread promise of his techniques. Accordingly, he expanded his definition of who could be resuscitated. He added to the relatively limited category of the “apparently dead,” all who weren’t “absolutely and unquestionably dead.”
Beck made films that testified to his successes. One, the Choir of the Dead, featured the first 11 people he had resuscitated standing awkwardly together, while a jarringly jovial Beck asked each in turn: “What did you die of?”
Though initially contextualized as merely the extension of resuscitation into medical spaces, it soon became clear that methods that privileged access to the body’s interior weren’t easily democratized. That’s not to say that Beck didn’t try. He imagined a world where those trained in his methods would carry the surgeon’s tool—the scalpel—with them, always ready to whip open a chest to massage a heart back into action.
Concerned by the specter of civilian-surgeons and keen to maintain their professional monopoly over the body’s interior, the medical community revolted. It was only with the advent of the less unseemly closed-chest compression method several years later that resuscitation’s democratic imprimatur was restored.