SB 799 reads, “This bill would restore eligibility after the first 2 weeks for an employee who left work because of a trade dispute. The bill would codify specified case law that holds that employees who left work due to a lockout by the employer, even if it was in anticipation of a trade dispute, are eligible for benefits.” Currently, benefits are $450 a week for 26 weeks maximum.
That is, it would apply not just to Tinseltown employees, but strikers in any industry. What a benefit this will be to organized labor, already the state’s most powerful political force.
Lockouts and Strikes
A “lockout” is where, when there’s no labor contract, the employer—in this case, Hollywood studios—refuses to let the workers go on the job. It’s different from a strike, where the workers themselves choose not to work. But commonly, as in the Hollywood case, lockouts also are called strikes.If SB 799 becomes law, one side—labor—greatly will be favored, and strikes will proliferate. Few of us are bothered much by the Hollywood lockouts, especially after all the P.C. schlock they’ve been churning out in recent years.
But strikes or lockouts in other industries, such as hotels and factories, could hit the private sector hard. And strikes or lockouts by public-sector union workers would reduce the services we all pay for through already-high taxes. Union power also would grow.
Then there’s the unemployment insurance system itself. All workers pay into it. With more “workers” (who aren’t working) drawing that $450 a week during a lockdown, the unemployment tax will have to rise, or benefits be cut, for everyone else.
Hollywood Tax Subsidies
The Legislature also is working to pass Assembly Bill 132, by the Committee on the Budget, headed by Assemblyman Phil Ting (D-San Francisco). It would extend, from fiscal 2025-26 through 2030-21, annual film tax subsidies of $330 million a year.The tax subsidies of nearly $1 billion over three years are paid for by the taxes of other California residents and businesses.
Follow the Money
To cite just one politician, according to Follow the Money, Mr. Portantino’s campaign receipts include $24,700 from Warner Bros., $19,978 from Walt Disney, $15,600 from Paramount Pictures Group, and $13,000 from Sony Pictures Entertainment.That explains how he would back tax subsidies. But wouldn’t movie studio support of him prevent his backing the labor unions in their lockout battle? Except look at these union contributions: $69,300 from the California Faculty Association, $67,300 from SEIU California State Council, $50,000 from the California State Council of Laborers, $45,865 from the California Professional Firefighters Association, $45,650 from the Professional Engineers in California, $43,800 from the California State Association of Electrical Workers, $40,900 from the Plumbers and Pipefitters Local 250, and $40,000 from the California Labor Federation AFL-CIO. And many more.
Conclusion: Your Money Up in Smoke
SB 799 also is, in Sacramento nomenclature, a “gut and amend” atrocity. A previous version of the bill, concerning prisons, was totally “gutted” and “amended” on Aug. 22 to the current wording. That means there will be less time for the bill to be reviewed. Read the text to see how this is done, with the original wording crossed out in red, and the new text inserted in blue italics.It amazed me how Mr. Moorlach consciously read all the bills, more than 2,000, under consideration every year. Until voters, possibly under the influence of Cheech and Chong’s doobies, jettisoned him from office in Nov. 2020. Because few legislators are that diligent, you can see why the state is so dysfunctional and expensive.