Alain Delon, an internationally acclaimed French actor who excelled at a wide range of characters, has died at age 88.
With his handsome looks and tender manner, the prolific actor was able to combine toughness with an appealing, vulnerable quality that made him one of France’s memorable leading men.
Delon was also a producer. He also appeared in plays, and in later years, in television movies.
French President Emmanuel Macron paid tribute on X to “a French monument.”
“Alain Delon has played legendary roles and made the world dream,” he wrote. “Melancholic, popular, secretive, he was more than a star.”
Delon’s children announced the death on Sunday in a statement to the French national news agency Agence France-Presse, a common practice in France. Tributes to Delon immediately started pouring in on social platforms, and all leading French media switched to full-fledged coverage of his rich career.
Earlier this year, his son Anthony had said his father had been diagnosed with B-cell lymphoma, a type of cancer.
Over the past year, Delon’s fragile health condition had been at the heart of a family dispute over his care that gave rise to bitter exchanges through the media among his three children.
At the prime of his career, in the 1960s and 1970s, Delon was sought out by some of the world’s top directors, from Luchino Visconti to Joseph Losey.
In his later years, Delon grew disillusioned with the movie industry, saying that money had killed the dream. “Money, commerce and television have wrecked the dream machine,” he wrote in a 2003 edition of the newsweekly, Le Nouvel Observateur. “My cinema is dead. And me, too.”
But he continued to work frequently, appearing in several TV movies in his 70s.
Delon’s presence was unforgettable, whether playing rough characters or romantic leading men. He first drew acclaim in 1960 with “Plein Soleil,” directed by Réne Clément, a film adapted from the same book as the 1999 American film “The Talented Mr. Ripley.”
He made several Italian movies, working, most notably with Visconti in the 1961 film “Rocco and His Brothers,” in which Delon portrays a self-sacrificing brother intent on helping his sibling. The movie won the Special Jury Prize at the Venice Film Festival.
The 1963 Visconti film “Le Guepard” (The Leopard) starring Delon won the Palme d’Or, the highest honor at the Cannes Film Festival. His other films included Clément’s “Is Paris Burning,” with a screenplay by Gore Vidal and Francis Ford Coppola among others; “La Piscine” (The Sinners), directed by Jacques Deray; and, in a departure, Losey’s “The Assassination of Trotsky” in 1972.
In 1968, Delon began producing movies—26 of them by 1990—part of a frenzied and self-assured momentum that he maintained throughout his life.
His confidence was palpable in his statement to Femme in 1996, “I like to be loved the way I love myself!” This echoed his charismatic screen persona.
Delon continued to captivate audiences for years. In 2010, he appeared in “Un mari de trop” (“One Husband Too Many”) and returned to the stage in 2011 with “An Ordinary Day,” alongside his daughter Anouchka.
Delon’s last major public appearance was to receive an honorary Palme d'Or at the Cannes Film Festival in May 2019.
The Cannes Film Festival on Sunday expressed its “sadness,” saying in a statement that Delon “embodied French cinema far beyond its borders.”
The Brigitte Bardot Foundation, dedicated to animal protection, paid tribute to “an exceptional man, an unforgettable artist and a great friend of animals,” in a statement released on social media. Delon was “a close friend” of French film legend Brigitte Bardot “who is deeply saddened by his passing,” the statement said. “We lose a precious friend and a man with a big heart.”
French film producer Alain Terzian said Delon was “the last of the giants.”
“It’s a page being turned in the history of French cinema,” he told France Inter radio. Terzian, who produced several films directed by Delon, recalled that “every time he arrived somewhere ... there was a kind of almost mystical, quasi-religious respect. He was fascinating.”
Delon was outspoken off-stage, notably when he said he regretted the abolition of the death penalty and criticized gay marriage, which was legalized in France in 2013.
He publicly defended the French conservative National Front party and telephoned its founder Jean-Marie Le Pen, an old friend, to congratulate him when the party did well in local elections in 2014.
Born on Nov. 8, 1935, in Sceaux, just south of Paris, Delon was placed with a foster family after his parents’ separation when he was 4. He then attended a Roman Catholic boarding school.
At 17, Delon joined the navy and was sent to Indochina. Back in France in 1956, he held various odd jobs from waiter to a carrier in the Paris meat market before turning to acting.
Delon had a son, Anthony, in 1964 with his then-wife Nathalie Canovas, who played alongside him in Jean-Pierre Melville’s “The Samurai” in 1967. He had two more children, Anouchka and Alain-Fabien, with a later companion, Rosalie van Breemen, with whom he produced a song and video clip in 1987.
Delon juggled diverse activities throughout his life, from setting up a stable of trotting horses to developing cologne for men and women, followed by watches, glasses, and other accessories. He also collected paintings and sculptures.
Delon announced an end to his acting career in 1999, only to continue, appearing in Bertrand Blier’s “Les Acteurs” (The Actors) the same year. Later he appeared in several television police shows.
His good looks sustained him. In August 2002, Delon told a weekly magazine, L’Humanite Hebdo, that he wouldn’t still be in the business if that weren’t so.
“You’ll never see me old and ugly,” he said when he was already nearing 70, “because I’ll leave before, or I’ll die.”
However, it was in 2019 that Delon encapsulated his feelings about his life’s meaning during a gala event honoring him at the Cannes Film Festival. “One thing I’m sure about is that if there’s something I’m proud of, really, the only thing, it’s my career.”
